Enjoyment of "Money Talks'' depends mainly on how funny one finds Chris Tucker. All the other elements -- story, production values, and performances -- are secondary. "Money Talks'' is what they used to call a star vehicle. It's a showcase to introduce an alleged comic talent and see if the public goes for him. I wouldn't quit laughing at Tucker's jokes and comedic overtones, and after viewing the film, Money Talks is more of a modernization of "48 Hrs."
Franklin Hatchett (Tucker) is the small-time hustler and con artist, going to prison after being set up by ace TV reporter James Russell (Sheen) in a ticket scalping scam. On the way to the pen, Franklin inadvertently becomes involved in a jail break orchestrated by the evil Villard (Gerard Ismael) and his personal army. One problem: the cops think Franklin is behind the whole scheme. Not knowing whom to turn to, Franklin gives James a call. The two make a deal: James will hide and protect Franklin for a weekend in exchange for an exclusive when Franklin turns himself in. There are a few complications, however. First, Villard wants Franklin dead. Second, James has just been fired from his TV job after being described by his boss (David Warner) as "another walking headshot" from the "John Tesh school of journalism." Third, this weekend, James is scheduled to marry Grace (Heather Locklear), the beautiful daughter of the very wealthy Guy Cipriani (Paul Sorvino).
One of the best thing that can be said about "Money Talks" is that director Brett Ratner obviously knows that he is reworking a over familiar formula, and he desperately tries to keep things moving. There are lots of classic Lalo Schifrin chase music, and plenty of shoot outs and exploding helicopters and of course the absurd secondary characters.
Paul Sorvino in particular provides a few genuinely funny moments as a dull-witted Italian heavy who gets conned by Chris Tucker. The movie is slickly paced and does work for Chris Tucker. But although he babbles so furiously that he inevitably scores a few laughs here and there, his hit/miss ratio is atrocious. And Charlie Sheen is predictably lifeless and wooden in some areas but slightly convincing in others. This film would later land Chris Tucker in another hit, "Rush Hour", since his comedic lines with a tirade of profanity would make Eddie Murphy and Richard Pryor legends. Must see for sure especially on those lazy weekend.