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Moffou
 
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Moffou

Salif Keita Audio CD
5.0 out of 5 stars  See all reviews (12 customer reviews)

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Music

Image of album by Salif Keita

Photos

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Biography

Salif Keita came into the world both cursed and blessed. With each new ordeal, its salvation; with each new obstacle, some inspired ruse or unstinting strength to continue his path. And here lies the enigma. For example, how could he accept being disowned by a father who refused the inevitability of an albino son? What reply could he give to face the hostility of his own caste when he, a Keita,… Read more in Amazon's Salif Keita Store

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Product details

  • Audio CD (8 April 2002)
  • Number of Discs: 1
  • Label: Decca (UMO)
  • ASIN: B00005UW5X
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Bestsellers Rank: 67,909 in Music (See Top 100 in Music)

1. Yamore
2. Iniagige
3. Madan
4. Katolon
5. Souvent
6. Moussolou
7. Baba
8. Ana Na Ming
9. Koukou
10. Here

Product Description

Amazon.co.uk Review

The Golden Voice of Mali has occasionally been accused of bombast, but Moffou should silence that particular criticism. It's an exquisite return to roots, and a sharp contrast with the rock and funk grooves of his previous effort, Papa. While that album featured guests such as Grace Jones, Moffou kicks off with a rustically understated duet with Cape Verdean diva Cesaria Evora. It also reunites Keita with Guinean guitarist Kante Manfila, his old colleague from Les Ambassadeurs. Keita's own surprisingly skilled fretwork can be heard on the three solo guitar-and-voice tracks that punctuate the album. The singer barely raises his voice throughout and he's backed by a soaring chorus of five female singers. Together, their call-and-response interactions underline how closely Moffou brings him back to his Maninka roots, even though none of the songs are directly based on traditional tunes. The arrangements are largely acoustic, with local instruments such as kamalengoni (youth harp) and n'goni (the West African precursor of the banjo) featuring prominently alongside touches of accordion, piano, marimba and subtle percussion. The production bathes everything in an atmospheric patina of effects, which conjures up a sensuous sub-Saharan ambience. Though there are a couple of more upbeat songs such as "Madan" and "Koukou", this is essentially a rather calm reflective set. His best work since Soro, and a must for fans of stylish but unplugged West African music --Jon Lusk.

BBC Review

Moffou marks a return to form for Mali's most famous male solo artist. Salif Keita's career appeared to be flagging slightly upon the release of 1999's lacklustre electro-based Papa. Here, he has wisely opted for an almost totally acoustic production. The combination of Mali's finest traditional instrumentalists with the cream of Paris' neo-classical and nu-jazz acoustic players is an uncommonly happy one.

Guitarists Djelly Moussa Kouyate and Kante Manfile are both long-term Keita associates from their days together in early Malian supergroupsThe Rail Band and Les Ambassadeurs. They hit the 'jeli' (griot) groove right from the start.

The opener, 'Yamore', sets the seal: the song's romantic wistfulness is underlined by guest spots from Cap Verde's Cesaria Evora and Parisian accordionist Benoit Urbain.

Keita's own considerable skill as a guitarist in his three solo performances - especially 'Iniagige' - is in evidence throughout. The effortlessly rocking tempo of 'Madan' juxtaposes Malian fiddles and lutes against Camerounian Guy N'Sangue's funky electric bass and a driving West African percussion section.

The album has a consistent recording sound throughout. But it's a homogeneity that matures with repeated listenings into a shifting tapestry of rhythm and texture. For instance, the last two tracks, 'Koukou' and 'Here', share an almost Caribbean lilt. Closer inspection lays bare a strong Brazilian influence in the former, and an old-fashioned calypso edge to the latter, accentuated by Arnaud Devos' novel steel drum work.

The album has already achieved some of Keita's strongest sales to date and will undoubtedly figure highly in many 'best of 2002' charts. Highly recommended. --John Armstrong

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Customer Reviews

12 Reviews
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Average Customer Review
5.0 out of 5 stars (12 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

12 of 12 people found the following review helpful:
5.0 out of 5 stars A Masterpiece - The Album Is A Definite Classic, 12 April 2003
By 
C. Imarogbe "cimarogbe" (United Kingdom) - See all my reviews
(REAL NAME)   
This review is from: Moffou (Audio CD)
I have known Salif Keita since I was a child, but this is the first album I have ever bought. The quality and the beauty of the music on this album truly amazed me. 20 years from now this album will still be regarded as one of the best pieces of music Keita has ever produced. Just as Bob Marley's work is still highly regarded more than 20 years after it was made. Excellent buy.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars African music at its best, 26 May 2003
This review is from: Moffou (Audio CD)
This is one of the best African CDs I've heard in a long time. Fortunately, the times of silly, artificial sounding studio instruments are over; instead, the music here is carefully recorded and mixed and tastefully arranged and played, using up-to-date studio possibilities. One has the feeling of being quite close to the musicians. The record sounds stripped down, in spite of up to more than 20 participants. Rarely has African music sounded so truly "World Music" - that is, relevant, as here. And, last not least, Salif Keita has got to have one of the most special voices now recording.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars The best, 28 Aug 2003
By A Customer
This review is from: Moffou (Audio CD)
It really is a beautiful album which simply grows and grows on you.
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