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Modernism and Music: An Anthology of Sources
 
 
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Modernism and Music: An Anthology of Sources [Paperback]

Daniel Albright

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Customers buy this book with Untwisting the Serpent: Modernism in Music, Literature and Other Arts £21.38

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Product details

  • Paperback: 440 pages
  • Publisher: University of Chicago Press (27 April 2004)
  • Language English
  • ISBN-10: 0226012670
  • ISBN-13: 978-0226012674
  • Product Dimensions: 23.6 x 16.4 x 2.4 cm
  • Amazon Bestsellers Rank: 790,929 in Books (See Top 100 in Books)

Product Description

Review

"I highly recommend Daniel Albright''s collection as a useful set of texts for any course dealing with Modernism, especially Modernism in music. In no other place are so many important writings gathered together, and students will find the introductory and explanatory material extremely helpful when beginning their studies."--Alan Shockley "Fontes Artis Musicae " --This text refers to the Hardcover edition.

Product Description

This work offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others - all of which combine with Daniel Albright's commentary to place modernist music in the context of a broader intellectual history.

Inside This Book (Learn More)
First Sentence
Terms such as "modern" and "Modernism" seem to possess a certain security, even prestige, but they were long regarded with suspicion. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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5 of 6 people found the following review helpful
20th Century Music on its own terms 3 Mar 2006
By Philip Pogson - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
Having read many histories of 20th century concert music I could not easily conceive of an addition to the canon that is as interesting, challenging and original as this. Albright has gathered together an eclectic range of primary source materials authored by composers, writers, artists and theorists all of which explore aspects of musical modernism and its putative antithesis - post-modernism. In just bringing this material together he has done music history a service. Yet in one sense what I most enjoyed is Albright's own commentaries which link his diverse sources together so effortlessly that the book reads like a novel; and his prose writing is superb. If only more "textbooks" were of this quality.

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