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Modern Guilt CD


Price: £12.70 & FREE Delivery in the UK. Details
Includes FREE MP3 version of this album.
Does not apply to gift orders. See Terms and Conditions for important information about costs that may apply for the MP3 version in case of returns and cancellations.
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£12.70 & FREE Delivery in the UK. Details Only 5 left in stock (more on the way). Dispatched from and sold by Amazon. Gift-wrap available.

Amazon's Beck Store

Music

Image of album by Beck

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Biography

Beck has traveled light years from being pegged as a reluctant generational spokesperson when “Loser” metamorphosed from a rejected demo to a ubiquitous smash. Instead he wound up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in his own unpredictable manner: Beck's singular career has been one that's seen him utilize all manners ... Read more in Amazon's Beck Store

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Frequently Bought Together

Modern Guilt + Sea Change + Mutations
Price For All Three: £28.60

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Product details

  • Audio CD (7 July 2008)
  • Number of Discs: 1
  • Format: CD
  • Label: XL Recordings
  • ASIN: B001ASVALY
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Bestsellers Rank: 22,348 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Orphans 3:17£0.99  Buy MP3 
Listen  2. Gamma Ray 2:58£0.99  Buy MP3 
Listen  3. Chemtrails 4:42£0.99  Buy MP3 
Listen  4. Modern Guilt 3:16£0.99  Buy MP3 
Listen  5. Youthless 3:01£0.99  Buy MP3 
Listen  6. Walls 2:24£0.99  Buy MP3 
Listen  7. Replica 3:27£0.99  Buy MP3 
Listen  8. Soul Of A Man 2:38£0.99  Buy MP3 
Listen  9. Profanity Prayers 3:45£0.99  Buy MP3 
Listen10. Volcano 4:26£0.99  Buy MP3 

Product Description

Product Description

titolo-modern guiltartista-beck etichetta-beggars banque---brani1.orphans 2.gamma ray 3.chemtrails 4.modern guilt 5.youthless 6.walls 7.replica 8.soul of a man 9.profanity prayers 10.volcano

Amazon.co.uk

If there’s one thing that’s proved consistent about Beck Hansen, it’s that every fresh record will be a curveball, and so it is with Modern Guilt. If 2006’s The Information felt like a return to familiar Odelay territory, a gleaming beats-and-raps record with an eerie futuristic twist perhaps inspired by its maker’s interest in Scientology, its follow-up feels like a step out again into uncharted territory. Recorded with the help of hip-hop beat-maker turned multi-talented producer Brian ‘Danger Mouse’ Burton, Modern Guilt is a foggy, sometimes distant-sounding affair apparently inspired by canyon-dwelling psychedelic rock, conspiracy theories, and end-of-the-world angst. "You and me hit by a test of white evil/Watching the jet planes go by", he strains, urgently, on "Chemtrails", eyes fixed to the sky. "Orphans" and "Walls", two songs recorded with Cat Power’s Chan Marshall feel like a bit of a missed opportunity, Chan’s vocals pushed too far back in the mix. But Danger Mouse’s beats are a delight, giving what could be quite morose numbers like "Gamma Ray" a skippy, vintage beat group feel. All in all, it’s not Beck at his most engaging or playful, but there’s a thoughtful, mature quality to Modern Guilt that you don’t find when he’s playing postmodern prankster, and it’s got much to recommend it. --Louis Pattison

Customer Reviews

4.1 out of 5 stars

Most Helpful Customer Reviews

Format: Audio CD
After two albums that saw Hansen subdue his chameleon tendencies in favour of pusuing a sound that was distinctly 'Beck', Modern Guilt sees him back breaking new ground. You suspect that some of the credit for that has to go to producer Danger Mouse, if only because the music here, a dark brew of electronica, 60s psychedelia and pop, bears more than a passing resemblance to his own group Gnarls Barkley. It's a world away from his work on something like Sparklehorse's Dreamt for Light Years in the Belly of a Mountain, where he seemed hands off to the point of invisibility.

Further new elements include Gamma Ray's surf guitars, Replica's drum 'n' bass meets Aphex Twin futurism, and Chemtrails squaling Neil Young-esque guitar solo. Youthless is probably the closest thing here to Beck's past, mixing hip-hop beats, lyrical non-sequiturs and a chorus catchier than swine flu.

While Guero and The Information saw Beck juxtaposing a bleaker, more jaded lyrical perspective with his traditional party anthems, Modern Guilt is an apocalyptic vision set to apocalyptic music. The mix of conspiracy theory, scientologist imagery, and more tangible concerns (global warming, nuclear war, existential angst) combine to form a nightmarish vision worthy of Philip K. Dick.
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4 of 5 people found the following review helpful By Rosey Lea TOP 1000 REVIEWERVINE VOICE on 26 Oct. 2008
Format: Audio CD Verified Purchase
Absolutely amazing album.

I originally bought it on download, but I've now bought the proper CD as compressed MP3 really doesn't do justice to all the layers and vibes going on.

Easily Beck's best album since the glorious Odelay. Definately his most accessible. Yes it is only half an hour long, but when you listen to it you don't feel short changed, it's half an hour beauty.

Innovative, wise and most of all you can dance to it.

Love it.
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3 of 4 people found the following review helpful By Mr. T. Knott on 27 Feb. 2009
Format: Audio CD
I had loved Beck's earlier albums all the way until 'Sea Changes', as it was just naff (in my opinion, though i know others will disagree) and then he went toooo much into the hip-hop/techno/electro style and all his music started to sound the same. Which was a shame for an artist the caliber of Beck.
BUT....
......HE HAS RETURNED!
Modern Guilt is soooo much more like the old Beck i know and love. The songs are simple and there's more guitar involved. It's much more in the vein of Odelay than say...Midnight Vultures or Mutations - and it's great because of it!
If like me, you'd lost some faith in the music of Mr Hansen, then rejoice because although he's on a new label, this is VINTAGE Beck!
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5 of 7 people found the following review helpful By Mr. J. Milton VINE VOICE on 13 July 2008
Format: Audio CD
A quick glance at his watch and Beck's decided that it's time for a change. Out goes the quirkiness, the carelessness and the charm that swam about in 'The Information' and less recently, 'Guero'. In comes Danger Mouse with his surgery gear in hand, and they've got a record to make.

'Modern Guilt' is not quite the sudden jolt in movement or a shock to the system some have been hyping up. Beck's still the name, Beck's still the nature. We don't have a change in tactics equivalent to PJ Harvey's white dress, doom and gloom movement of 'White Chalk' - with the help of John Parish. Although when ears first came across 'Chemtrails', sinking in heartbreak and reverb, it was more than on the cards. 'Gamma Ray' is classic Beck and classic Danger Mouse, a simple bass riff moulded into a complex pop song due to the work of surrounding musicians. Soothing backing vocals (a regular attendee in the record) appear for the first time and it's about then that we realise the extent of Beck's "transformation".

Pop is very much on the agenda - 'Soul Of A Man' and the sharp and cutting title-track are simplistic, edgy and with a very, very modern edge. Brain Burton, who was only initially brought in to collaborate on one song, has inspired material reminiscent of Gnarls Barkley at their finest. Clocking in at thirty and a bit minutes, it's a futile task in attempting not to remember the jerky 'Youthless' or the bass-heavy opener 'Orphans' first time round. The same can be said for closer 'Volcano' - the biggest shock to the system you're bound to hear on the record. Eight albums in, and Beck might have written his most beautiful song to date. Melody the key, melancholic backing vocals at the ready, "I'm tired of evil /And all the things/ That I don't know" quivers the sleepy-head.
Read more ›
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11 of 15 people found the following review helpful By Paul McNamee TOP 1000 REVIEWERVINE VOICE on 29 July 2008
Format: Audio CD
Like I said above, nearly all the reviews I've read for Modern Guilt have praised it as a return to form, "best since Sea Change", and that sort of garbage. Lazy, lazy journalism, particularly considering I read the exact same things about previous two albums (and bona fide clinkers) Guero and The Information. Where Modern Guilt outshines those albums is in its length, as both were at least twice as long as the half-hour Modern Guilt. That, and the music.

Which is fantastic. For reasons I don't understand, this Beck album took me the longest to get into. Well, of the ones I like. The less said about the boring Mellow Gold and the HIDEOUS Midnite Vultures the better. I was initially put off by how minimalist the album sounds. After about three listens, I was completely and utterly dependent on it. I couldn't do without it. Still can't. Strange that, isn't it? I think the reason for it is that I like the songs, or something.

Seriously though, the songs are fantastic. From the opener "Orphans" to closer "Volcano", there's not a duff moment on here. Plus, not one of the songs outstays its welcome. Once the verses, choruses and bridges have had their moment, its onto the next one. "Gamma Ray" is about the funnest song of the summer so far, "Chemtrails" has some incredible drumming and eerie vocals, "Modern Guilt" is relentlessly catchy, "Youthless" and "Replica" sound like Guero culls, "Walls" could pass for a Gnarls Barkley song (thanks Danger Mouse), "Soul of a Man" is sleazy as anything, "Profanity Prayers" is a super-happy bass fest and "Volcano" is perfect. The songs are as sparse as the artwork, but Beck doesn't need to layer his songs full of washboard solos and Schubert to be great. Modern Guilt's your proof.
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