Personnel changes led to a broader range of musical styles for this second album, Mick Bradley replaced Mick Rushton behind the drums, but the real difference was rhythm guitarist Martin Quittenton, who left to work with Rod Stewart was replaced by multi instrumentalist Steve Jollife, who added sax, flute and harpsicord to the mix.
The boogie rock of 'Reflection', still evident in tracks like 'Contemporary chick con song' but with the added bonus of some fine sax play to support Martin Pugh's guitar lead, were supplemented with a mixture of light and heavyish rock with some jazz added to the mix here and there.
Highlights! 'Supposed to be free' and 'Passing through' are well worth a mention, but the albums killer track has got to be the wonderful 16 minute plus of 'Another travelling tune' which makes this a must have album on its own. From the rambling flute opening through the laid back bluesy guitar riff that follows, this sets the trend for wonderful guitar/sax interplay, with Kieron White's distinctive vocals adding to the mix before the guitar/sax/flute combination takes it through highs and lows to its conclusion. I once heard this described as the first example of 'progressive blues', have a listen, you'll see why.
The bonus tracks are the a & b sides of their two single releases, and do not let the side down.
If you think 1969 was all blues and psychadelia, try this, you'll see it wasn't. Gripping stuff from a band who were vastly underrated.