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Mitridate
 
 

Mitridate

Wolfgang Amadeus Mozart Audio CD
3.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Audio CD (13 Aug 1991)
  • Number of Discs: 3
  • Label: Philips
  • ASIN: B00000411A
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 133,543 in Music (See Top 100 in Music)

Disc: 1
1. Mitridate, Re Di Ponto: Act One: Ouverture
2. Mitridate, Re Di Ponto: Act One: Recitativo: Vieni, Signor; Se a me s'unisce Arbate
3. Mitridate, Re Di Ponto: Act One: No. 1 Aria: Al destin, che la minaccia
4. Mitridate, Re Di Ponto: Act One: Recitativo: Qual Tumulto nell'alma
5. Mitridate, Re Di Ponto: Act One: No. 2 Aria: Soffre il mio cor con pace
6. Mitridate, Re Di Ponto: Act One: Recitativo: Sin A Auando, O Regina
See all 19 tracks on this disc
Disc: 2
1. Mitridate: Act Two: Recitativo: Questo e l'amor, Farnace
2. Mitridate: Act Two: No. 11 Aria: Va, l'error mio palesa
3. Mitridate: Act Two: Recitativos: Perfido, ascolta... Ah Mitridate! ; Eccomi a'cenni tuoi; Respiro, o Dei!
4. Mitridate: Act Two: No. 12 Aria: Tu, che fedel mi sei
5. Mitridate: Act Two: Recitativos: Che dirò? Che ascoltai?; Alla tua fede il padre, Sifare, applaude; Oh giorno di dolore!; Recitativo accompagnato: Non piu, Regina
6. Mitridate: Act Two: No. 13 Aria: Lungi da te, mio bene
See all 16 tracks on this disc
Disc: 3
1. Mitridate: Act Three: Recitativo: Pèra omai chi m'oltraggia
2. Mitridate: Act Three: No. 19 Aria: Tu sai per chi m'accese
3. Mitridate: Act Three: Recitativos: Re crudel, Re spietato; Mio Re, t'affretta
4. Mitridate: Act Three: No. 20 Aria: Vado incontro al fato estremo
5. Mitridate: Act Three: Recitativo: Lagrime intempestive
6. Mitridate: Act Three: Recitativo accompagnato: Ah ben ne fui presaga!; No. #21 Cavatina: Pallid'ombre
See all 14 tracks on this disc

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Most Helpful Customer Reviews
Format:Audio CD
With all due respect to Mozart's work, the fine singers, the brilliant orchestra and the superb sound recording... the cast does not include a single Italian singer. The result is known even before listening to the opening recitativo 'Vieni, Signor'. Bad diction corrupts this recording. When will the producers and the A&R deparments of record labels learn to gather adequate artists for the production of an opera?
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Amazon.com:  2 reviews
24 of 24 people found the following review helpful
Embarrassment of riches 19 April 2000
By essmac - Published on Amazon.com
Format:Audio CD
Yes, the story is dull and undramatic; yes they should have cut most of the recitatives. Yes, the tenor part is practically impossible (it's like an ottocento Tristan) and Hollweg sounds strained- who wouldn't? But, look at the women on this recording. Talk about a strong lineup! Cotrubas supplies beautiful tone and convincingly fakes her way throught the coloratura. Baltsa is a fine choice for her role- tough and strong, but without a chance to show off her brilliant top. Gruberova does not disappoint those of us who expect from her technically dazzling fioriture, but with meaningful expressiveness. But Auger steals the show- her first aria is worth the high price alone. Intelligent, technically assured artistry of the absolute highest level mixed with consistently gorgeous tone and keen emotional involvement: nothing is beyond her. The sudden high pianissimi, the high speed coloratura, the magnificent phrasing- it's all there and not just in the arias, but the recitatives (especially in the last act when she considers suicide-- this is vocal acting!). She's amazing. Remember- this is opera seria, which means long chains of aria after aria with little to change the texture. There is a duet between Auger and Gruberova that is pure heaven: not Mozart's finest inspiration, but beautiful and full of daredevil vocal display. Also a regretably short quintet for the women ends the whole opera, but even though it was not the convention of the time, one sorely wishes there had more ensembles.
0 of 4 people found the following review helpful
Sung in Italian by a Légion étrangère 25 Aug 2011
By C. Gonczar - Published on Amazon.com
Format:Audio CD
With all due respect to Mozart's work, the fine singers, the brilliant orchestra and the superb sound recording - the cast does not include a single Italian singer. The result is known even before listening to the opening recitativo 'Vieni, Signor'. Bad diction corrupts this recording. When will the A&R deparments of any record label learn to gather adequate artists for the production of an opera?
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