The Mistress of the Art of Death (Mistress of the Art of Death 1) [Hardcover]

 

 

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I read the second book of the series before this one and therefore did not totally understand the histories of the main characters. I can safely say to any prospective reader that whilst the second book can be read as a stand alone novel, I would heartily recommend you read this one first.

Adelia, the main protagonist, is a fascinating but completely alien character to this early medieval environment in which she has been placed. However, if you are prepared to overlook the fact that Adelia's medical knowledge and social demeanour do not really belong in this period of time, you are in for a very absorbing read.

The book is certainly not for the fainthearted as the central plot involves the murder of children; at times described in quite graphic detail. If this is likely to cause upset or distress, then you should probably give this book a miss.

Fans of C. J. Sansom should enjoy this read as it's quite similar in style and genre. Adelia proves to be quite a likeable character once you get to know her and will probably become a firm favourite of many people to come.

If you are looking for a historical "Whodunnit" then look no further.

On the one hand I enjoyed this novel very much. Ariana Franklin is a consummate story teller and her characters and the setting in which they act and react are wonderfully realised. You can actually believe you are there with them in the world she has built. There are some delightfully realised secondary personages. I was particularly fond of eelwife Gytha and her cheeky urchin son, Ulf. Henry II is spot on and I really warmed to Ariana Franklin's version of this fiercely intelligent king with his mingling of imperious authority and mischievous common touch - Bravo! It's a page turner, no doubt about it and for all the above reasons I would be glad to give it five stars.

However.... Abandon all hope of historical veracity ye who enter here. There are the usual detail errors that irk me because I know my 12th century and further irk me because the author claims on her website that she is historically accurate. I think not! Mention of brandy and laudanum which were not available in that century - so therefore some of the scenes could never have happened. Three Angevin lions when there were only two until the early 1190's. Costume errors. Sometimes it was more like reading about Chaucer's Pilgrims than the Becket bunch. Images such as Henry II talking about his billiard table (conjures a hilarious image of Henry with his cue in hand leaning over a table in the smoky fug of a bar!) or having his head referred to as a cannon ball, yanked me straight out of the story. There are errors peppered throughout the novel both the large and the small, of detail and of mindset.

The heroine is a woman of 21st century sensibilities, who also acts like a 21st century TV forensic expert. There's a moment when she comes to examine her first victim when she garbs herself in the medieval equivalent of scrubs (!) and with an assistant to write down the findings with chalk and slate begins speaking in a monotone. 'The remains of a young female. Some fair hair still attached to the skull...' At this point I burst out laughing because it was so preposterous. The author tells us that Salerno had a body farm where pigs were killed and buried in different circumstances and seasons so that the students could observe the various states of decay. This again caused this reader much mirth. I doubt that Salerno and the teachings of the Trotula were quite on this wavelength. I have the kind of mind that gets hung up on practicalities and is constantly asking 'Would this really have happened?' At the beginning of the novel, Adelia saves the life of a prior by draining his swollen bladder using a straw catheter. Said prior then makes a full and complete recovery and is a perky, helpful chap as the novel continues. But to have that condition in the first place speaks of serious underlying problems. So to have him one moment dying of a blocked bladder and the next fit as a flea and back to normal just doesn't ring true.

The best way to read this book if you are at all sensitive about historical veracity, is to lock up your disbelief before you begin reading and throw away the key. Make a pact to ignore the blurbs about 'well researched', treat Ariana Franklin's medieval Cambridge as an alternative world and you will really enjoy this novel. I give this 10 out of 10 for characterisation, atmosphere and page turning quality, 6 out of 10 for the mystery element which was entertaining but a bit weak in places, and 3 out of 10 for historical accuracy - mainly because she gets Henry II correct (apart from aforementioned billiards, the reference to cannon balls and the surplus lion on his shield which really needs to wait until his son Richard has been to Cyprus. His character is good though). Three stars I think to average things out.

I would have thought the comparison to be made when reviewing this book is with other historical detective fiction rather than Diana Norman's other works. By that standard this a good read, far better than the average potboiler in the genre. All these books are anachronistic and this is no different - but as the whole thing is a bit of fun it hardly matters. If you've read C J Sansom you should enjoy this. I wouldn't say it's as good, but is certainly a promising start to a new detective series.

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5.0 out of 5 stars A True Mistress of the Art
I enjoyed this book so much that I have bought all the other 'Mistress of the Art of Death' books along with four copies of the first one, because it was such a compelling read... Read more

Published 1 month ago by Schneewittchen

5.0 out of 5 stars Highly recommended
I have read all four of the books in this series and bought this one as a present. They are extremely well researched and the story lines are brilliant and very well written.

Published 1 month ago by maggie

5.0 out of 5 stars mistress of the art of death book 1
I love this book. It was so well described I felt I was in the year 1171. I love the characters,esp Adelia. Read more

Published 3 months ago by sheila

4.0 out of 5 stars A strong female character in 12th-century England
In this first book if the "Mistress of the Art of Death" series, set in 12th-century England, the bodies of several murdered children have been discovered in Cambridge. Read more

Published 5 months ago by Sara-Jayne Townsend

5.0 out of 5 stars Engaging, gripping and well-written
I've read a couple of negative reviews on this book, pointing out small details that are historically inaccurate. Read more

Published 6 months ago by Mrs. B. S. Kemp

3.0 out of 5 stars Enjoyable nonsense
A thoroughly entertaining piece of story telling, even if, as others have already more than adequately indicated, riddled with anachronisms and slices of historical nonsense,... Read more

Published 6 months ago by Blencathra

5.0 out of 5 stars Mistress of the Art of Death, by Ariana Franklin
I have rarely read a book I enjoyed so much, and devoured it in one sitting, and then read all the others in the series with equal pleasure. Read more

Published 9 months ago by Catherine George

5.0 out of 5 stars A Medieval Whodunit
In the first of a series of novels featuring Adelia, we are introduced to this woman from Solerno, Italy who has come to England to help find the killer of several children... Read more

Published 10 months ago by Mrs. C. Colbert

3.0 out of 5 stars Just not sure about this one
I stopped reading this twice then went back to it each time thinking that reviews are largely good therefore I'm missing something. Read more

Published 10 months ago by Jane Baker

3.0 out of 5 stars OK
This was my first medieval novel, so I can't compare with others. It was... alright. After reading it its left me feeling something was missing. Read more

Published 11 months ago by Elimb

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