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50 of 60 people found the following review helpful:
5.0 out of 5 stars
Darabont delivers again, 21 Jul 2008
Acclaimed director Frank Darabont (The Shawshank redemption, the green mile,) adapts his third Stephen king novel for the big screen in the form of the Mist. An unsettling film giving an unflinching view on just how far people will go when pushed.
The film follows the story of David (Thomas Jane) and his son Billy, what starts out as a normal day quickly descends into a nightmare, following a savage storm many residents of the small town flock to the local supermarket to stock up on supplies when a strange mist descends upon the town, warned of things attacking people in the mist the customers in the store barricade themselves in, fear and paranoia run rife when the store is attacked by monsters this is only worsened Mrs. Carmody who preaches that they are being punished by a vengeful god as things become increasingly more desperate the survivors take sides as they begin to turn on one another.
The Mist is a chilling thrill ride focusing heavily on its characters, the human horror is amped up as if highlights the deteriorating morals of the people in the store as sacrifice and murder become a way of life. The characters are fleshed out well we see what drives them and how they handle the increasing pressure around them some rise to the challenge as others fall to pieces. While the mist holds bizarre creatures the real monsters of the piece become apparent inside the store.
The human horror is offset with violent set-pieces, skilfully directed and always edge of your seat stuff, as the store comes under attack from the monsters. The graphic violence is used sparsely throughout the film so when it it used it is done so to great effect, there is of course the traditional horror traps that the mist falls into as survivors venture down dark hallways and out into the Mist but good reasoning behind the ideas of venturing out saves the characters from idiocy which some horror movies fail to do.
At a little over two hours the Mist flies by if anything it's too short, the story culminates with an ending that will shock and deeply disturb and stay with you after the film has ended, the cast do brilliant jobs in their roles, in particular Thomas Jane, who gives an outstanding performance. The special effects are pretty good and the psychological horror intertwined with the gory aspects makes a seamless combination.
Very much a character driven horror film ( a dieing rarity), the mist delivers beyond expectations creating a startling view of human nature whilst remaining an absorbing film throughout. The best horror of 2008 is right here. essential viewing
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12 of 14 people found the following review helpful:
4.0 out of 5 stars
Are the real monsters in here or out there....in the mist?, 14 Mar 2009
"There's something in the mist " yells the old guy running into the supermarket .He's right .There is something in the mist .Lots of things in fact .Some of them as a big as a house ,some of them just large bugs but they all have one thing in mind ..eating whoever they can get their claws/tentacles/mandibles on .
The titular mist comes rolling down from the mountains into a small Maine town the day after a violent electrical storm has wreaked havoc. Local artist David Drayton ( Thomas Jane) drives into town to get some supplies with his young son Billy ( Nathan Gamble) and out of Towner lawyer neighbour Brent Norton ( Andre Braugher ) who he has an uneasy relationship with revolving around an old tree on his property .
They seem to be working towards a resolution when the mist rolls into town and they and a large group of people are trapped in the store . When it becomes irretrievably clear that there indeed things in the mist and they are really very nasty indeed the group splinters. Some think it is best to hole up given they have supplies, some ,especially Norton, reckon they can take their chances on going outside and looking for help. Mrs Carmody (Marcia Gay Harden) a religious zealot reckons this is god's old testament wrath come to bear for the sins of man "The end of times has come" she declares " not in flames but in mist".
In the extras director Frank Darabont and writer Stephen King ( The Mist is adapted from a novella included in the book Skeleton Crew) say The Mist is really about how fear pushes people over the precipice . Or as character Ollie ( Toby Jones ) says "As a species we're fundamentally insane. Put more than two of us in a room, we pick sides and start dreaming up ways to kill one another. Why do you think we invented politics and religion? " The schism in the ranks of the humans in the store turns out to be every bit as vicious and cruel and baffling as the creatures in the mist.
The film creeps inexorably and occasionally horrifically to it's shattering climax, one of those film endings that illicit awe or hatred in the audience. It is certainly uncompromising and I found it incredibly powerful if a little too contrived but as Darabont again points out in the extras( deleted scenes , commentary from Darabont as well as the chat with King and the director ) he actually picked up the idea for the ending from one line in the original King story. Given added frisson by the quite brilliant music of Dead Can Dance ( "Host Of The Seraphim" from the album The Serpent's Egg) the ending is one of half a dozen memorable scenes in the film , aided it must be stated by some top notch acting .
You can see Darabont,s love of old 1950,s B grade creature features in The Mist and even if the creatures aren't the product of atomic incompetence they are still the product,revealed in a rather throwaway manner, of mans arrogance. The mist hides the grotesque beasties but the film makes it clear that the real mist to fear is the unreasoning mist that descends over the minds of some of the human beings.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Horror the way it should be., 23 Feb 2009
Firstly, with all due respect to some other reviewers, I wouldn't listen to anyone who has given this film one star because of the ending. The ending is agonising but perfect as it is, and has the seal of approval from Stephen King himself who said the only thing wrong with it is that he didn't think of it first.
Put simply, Darabont is a master storyteller and that's why his SK adaptations all work so well, because they both have this way of making you care about their characters. In The Mist, the creatures aren't really the point. Okay, they're not going to win any special effects awards, but to knock a star off for that is putting style above substance.
Like the SK short story, The Mist is set largely in a small-town supermarket under seige by nameless other-dimensional monsters released by a military experiment gone wrong, and who prowl the mist outside. Amongst the trapped customers is a graphic artist (with his young son in tow) deserate to get home to rescue his wife, along with soldiers and assorted colourful town characters. Each of the characters is well drawn, and heroes lurk in suprising places. As the situation gets more desperate, barriers break down, and the reality of human nature begins to show.
The film draws you into the supermarket and makes you feel trapped there in a way reminsicent of (but more claustrophobic than) the shopping mall in Dawn of the Dead. By the time the terrifying religious zealot Mrs Carmody gets really crazy, the tension has been cranked up to the point where you're desperate for the sane ones to break out.
I haven't enjoyed a horror film like this for long time, and it's miles above all the grindhouse rubbish that keeps getting churned out lately. This is old-fashioned suspense horror at it's best - it might not leave you with a happy Hollywood glow but it'll stay with you for ages.
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