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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Hidden Cameras Develop, 31 Jul 2004
By A Customer
Roughly a year ago, the Hidden Cameras marched onto the unsuspecting UK scene with a glorious debut and a penchant for on-stage frivolity, and made a mark that was hard to wash off. 12 months on, Joel Gibb and co. present us with a new offer, a second helping of the 'gay church folk' that turned so many heads when they first arrived.Whilst hardly being a massive departure from their first album, the sound has evolved slightly, as shown by the light-speed grandiose pop of Fear Is On and the clever flirtations with dark theatrics on Bboy. The openess that made the Hidden Cameras so thrilling is still here too; on That's When the Ceremony Starts, Joel Gibb revels in an erotic description of his infatuation as an orchestra lightly tip-toes around him and his guitar, whilst on Music Is My Boyfriend, words like 'gangly-greens' and 'vaseline' are dropped like no-bodies business. The production has also advanced, giving the songs some neat touches and a quick spit-shine, most keenly felt on the likes of Builds the Bone and We Oh We, where the simplest of melodies drift on a sea of violas and cellos. Complaints? A personal one is that the lyrics seem to stop before they really get going, rather than weaving elaborate tales of love and filth, a gift Joel Gibb clearly has, verses and choruses are sometimes repeated with only the slightest of variation to keep you interested. I Believe in the Good Life would have been a triumph had it been for a little more thought and care, the song soon wears itself out on it's limited content. But, despite this pitfall, the strong melodies and tight song structures pull all of the songs through, and as shown on I Want Another Enema, the results are splendid as well as constantly playable.
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