Gordon Campbell, an experienced trial attorney, proves himself an adroit and polished suspense writer in MISSING WITNESS, his debut as an author of fiction. He sets his story in 1973 Arizona and begins with two persons entering a little house. Six shots ring out. The front door opens again and the two emerge. One drops a gun as the property's sheep man, Juan Menchaka, who has been watching and listening from afar, runs to them. He looks inside and sees a man dead, in a pool of blood.
Soon Doug McKenzie, newly-hired associate at Butler and Menendez, gets to sit second chair as his firm's legendary defense lawyer, Dan Morgan, tries to prove their client, beautiful Rita Eddington, innocent of gunning down her husband, Travis. Peculiarly, wealthy rancher Ferris Eddington, Travis' father, insists on personally bankrolling his daughter-in-law's first-class defense. Dan tells Doug that to get Rita acquitted, they must prove the other person who entered house with Rita killed Travis. That would be 12-year-old Miranda Eddington, Rita and Travis' daughter, who has a history of mental problems and who went into an apparently catatonic state when she was transported to jail with her mother after the shooting!
Rita's trial proceeds with many nail-biting moments as the artful but high-strung and haunted Dan Morgan pulls out all the stops -- legal and a few not so legal -- to try to win Rita's freedom. Doug, who has never tried a case before, gets a whale of an education, not only regarding courtroom strategy and tactics but also concerning the position and power jockeying amongst the partners in the firm. Doug "Yes, sir"s and "No, sir"s so often one almost thinks he is toadying. But, no, he is a well-mannered young attorney with a great deal to learn. And learn he does. Actually, Doug, not burdened in 1973 by the regrets and disappointments that weigh on Dan, displays better judgment and insight than his gone-to-seed legal mentor at times.
MISSING WITNESS is a man's book in the sense that it is told entirely from the male perspective, and it projects some biases liable to offend feminists and even non-feminist women. But this story takes place in the early 1970s, so the political correctness to which we are accustomed is rightfully not yet mainstream. Still, if anything underachieves in this superb thriller, it is the alleged motives for the murder that drive the plot; they could come right out of TV's LAW AND ORDER.
But I'm not going to hold any niggling reservations against Campbell. He has written a first-rate, ingenious courtroom drama. The trial's closing arguments in the final pages of the novel are brilliant, as is the twist revealed after their delivery. For aficionados of legal fiction, MISSING WITNESS is about as close to book heaven as one can get.