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Meanwhile, John Johnson, debauched star of such Hollywood legends as Bel Air PI?, also longs to vanish. After a near-death experience, where he is treated to a vision of Susan's face, he roams the badlands of the western States. Back in L.A., a chance meeting sets him on a mission to unravel the mystery of Susan Colgate.
Coupland has a genius for capturing the absurdities of modern existence and using them as backdrop for a tale of hope and fulfilment. The curses of the cyber-age--junk-mail and web-junkies, fast food, jaded TV weather forecasters--teem around the central st0ry, creating a vivid and darkly funny tale. His peripheral characters are just as richly drawn. A scriptwriter and his supernaturally intelligent girlfriend, a recluse who spends his evening generating Internet rumours--all manage to be blessed and cursed, numbed by their pointless existences but full of humanity when put to the test. Picture Joseph Heller and Kurt Vonnegut co-writing Zen and The Art of Motorcycle Maintenance and you come halfway to grasping Coupland's uniquely funny and thoughtful brand of storytelling. --Matthew Baylis --This text refers to an out of print or unavailable edition of this title.
‘Picture Joseph Heller and Kurt Vonnegut collaborating on a Tinseltown version of Zen and the Art of Motorcycle Maintenance and you come halfway to grasping Coupland’s brand of thoughtful, supremely funny storytelling.’
amazon.com
‘If Kerouac had been a couch potato, this is the kind of book he might have written.’
New York Times
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To Coupland devotees, 'Miss Wyoming' is very much more of the same. Susan Colgate, her very name redolent of the empty, whiter-than-white magic of branding, is almost a parody of synthetic, commercialised modern existence. A woman whose very self-identity is indistinct from her vainglorious junk-media persona. Nonetheless her thoughts and wants are everywoman, albeit writ large and in flourescent colours. 'Miss Wyoming' is the story of how almost by accident she stumbles to happiness and finds real feeling under the plastic schlock that has passed for her past. The themes it explores filter back into experiences with which the reader identifies at every step.
It's not a great novel. In particular, it seems at times unable to decide whether or not it has, or needs, a plot. But it is a good novel - not Coupland's best, but still a well-written tale of emptiness and indistinct longing which nonetheless becomes sweet, charming, and even life-affirming towards its conclusion.
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