The follow up to Camel's debut album builds substantially on what that fine effort achieved. 'Mirage' boasts a sharper, more forceful production. Though their music has never been heavy, this is pretty powerful stuff. 'Freefall' and 'Supertwister' establish this approach, and there's some lovely flute playing on the latter, but these tracks are eclipsed by what follows. 'Nimrodel, etc,' is a stagey, twisting piece of craftsmanship which climaxes in the brilliant, intense 'The White Rider.' Just when you think it would be difficult to follow, Camel unleash the exhilarating tempo of 'Earthrise' which drops to a subtler, yet dramatic ending. Undoubtedly, though, the 12-minute closer, 'Lady Fantasy' is the tour de force here and is arguably the best recording they've made. Its plaintive, unforgettable melodies and enchanting riffing weave a compelling web.
The bonus tracks are no more than live performances of tracks from this and the first album, but by the time you reach them you're in the mood. This is my favourite Camel album.