The year is 2054 and the murder rate in Washington is zero, the reason? Three Pre-Cognitives whose combined abilities witness murders before they actually occur. Apparently faultless, it's then something of a surprise to Pre-Crime chief John Anderton when the Pre-Cogs predict he is to murder a man named Leo Crow. Forced to go on the run, and haunted by a family tragedy, Anderton must evade the system he so perfectly executed himself. Can he find a flaw or is he actually about to commit murder?
Everybody Runs! That was the tag line that accompanied the explosive trailer for Steven Spielberg's, Tom Cruise starer, Minority Report. Indicating that the great bearded one had adapted from the Phillip K Dick short story and created an action monster, he hadn't, he in fact created something far far better than popcorn fodder. Minority Report was the next project for Spielberg following the equally dark and intriguing AI:Artificial Intelligence, both films serving to note that Spielberg was capable of thought provoking science fiction outside of the crowd pleaser's that the critics loved to decry. In fact, it's arguable that Spielberg may have hit his creative peak with Minority Report, for it's messages and crawling dystopian bleakness paint a picture not so much as a future far away in our lives, but of one we live in now. Big thematic points of reference dot themselves throughout the piece. Such as the changing of eye balls, or that in post 9/11 we yearn to be safer, here in this bleached shadowy world, we are safe under Pre-Crime, but it's got no heart, it's almost inhuman in itself, suggesting that the World's problems are not easily vanquished by technology and a total sacrifice of the World's inhabitants souls.
Spielberg of course is well served by the supreme professionals he has at his disposal, he also managed to garner a great performance from Tom Cruise, something other critics and fan favourite directors have not managed to do previously. Alongside Cruise and operating with great impact, is Samantha Morton as Pre-Cog Agatha, while Max Von Sydow adds that touch of experienced know how needed for his particularly important character. Odd casting choice appeared to be Colin Farrell as the meddling, almost vindictive Danny Witwer, but he plays well off of Cruise even if he veers dangerously close to comic book villainy at times {check out a holy smoke Batman scene . What action there is is first rate, from a jet back pack pursuit, to car jumping heroics, the sequences are crafted with Spielberg's cheerily enjoyable flourishes. While the sick sticks {yes you read right}, metal spiders and a brilliant Peter Stormare cameo should hopefully have you squirming and grinning in equal measure. All that and a tremendous ending, that, whilst not a total surprise, rounds off a truly excellent and thinking man's science fiction picture. Spielberg does Noir? Hell yes, and some more as well. 9/10