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With Marr and Palmer in the band, this was arguably the best line-up so far in The The's 10 year career to date. A wealth of instruments and cameos were used (clarinets, harmonicas and even Sinead O'Connor on Kingdom of Rain) to produce what is simply a vast album of stunning atmosphere, setting and mood, thereby creating a deeply personal relationship with the listener on repeated playings. Critics argue that it is overproduced and yes, the sound is tight and almost clinical, but the effects go beautifully with the instrumentation. From the fierce ballroom psychosis of Armageddon Days Are Here to the quiet guitar-strum duet of Kingdom of Rain and the mindblowing angry crescendo of August and September, Johnson's lyrics are thoughtful, original and always provocative. Here is a man with the soul and feel of Marvin Gaye but using the medium of the quintissential British cult band.
Probably one of the most original and important pop/rock works of the late 1980s. Buy it and never turn back.
The lyrics are second to none and the musics not bad either!. Read more
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