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Millennium: The End of the World and the Forging of Christendom [Paperback]

Tom Holland
4.0 out of 5 stars  See all reviews (44 customer reviews)
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Book Description

2 July 2009

Of all the civilisations existing in the year 1000, that of Western Europe seemed the unlikeliest candidate for future greatness. Compared to the glittering empires of Byzantium or Islam, the splintered kingdoms on the edge of the Atlantic appeared impoverished, fearful and backward. But the anarchy of these years proved to be, not the portents of the end of the world, as many Christians had dreaded, but rather the birthpangs of a radically new order.

MILLENNIUM is a stunning panoramic account of the two centuries on either side of the apocalyptic year 1000. This was the age of Canute, William the Conqueror and Pope Gregory VII, of Vikings, monks and serfs, of the earliest castles and the invention of knighthood, and of the primal conflict between church and state. The story of how the distinctive culture of Europe - restless, creative and dynamic - was forged from out of the convulsions of these extraordinary times is as fascinating and as momentous as any in history.


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Millennium: The End of the World and the Forging of Christendom + Rubicon: The Triumph and Tragedy of the Roman Republic + Persian Fire: The First World Empire, Battle for the West
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Product details

  • Paperback: 512 pages
  • Publisher: Abacus (2 July 2009)
  • Language: English
  • ISBN-10: 0349119724
  • ISBN-13: 978-0349119724
  • Product Dimensions: 12.5 x 3.8 x 19.6 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (44 customer reviews)
  • Amazon Bestsellers Rank: 5,621 in Books (See Top 100 in Books)

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Review

** Fast and lively . . . another blockbuster (Jenny Diski, SUNDAY TIMES )

** A mighty narrative of kings and popes, battles and massacres . . . A tremendously good read (SUNDAY TELEGRAPH MAGAZINE )

'At last, a book that sheds much-needed light on those 1,000 years between Roman Britain and the Norman conquest that we call the dark ages (Sue Arnold GUARDIAN )

'Holland tells a cracking tale, vividly bringing this neglected era of monks, popes, knights and serfs back to life (David Sinclair, TRIBUNE )

Review

'MILLENNIUM ranges far in both time and space yet always returns to its central theme: the right ordering of Christendom. It is narrative history in the grand manner, written with the panache and confidence we associate with the great historians of the 18th and 19th centuries. Holland's research has been prodigious . . . It is a marvellous, enthralling read, and gives a lively sense of these turbulent centuries that were so crucial in the making of western civilisation. Read it, and be thrilled, amazed and enlightened' --This text refers to an out of print or unavailable edition of this title.


Customer Reviews

Most Helpful Customer Reviews
28 of 30 people found the following review helpful
3.0 out of 5 stars Slightly disappointing 15 Nov 2009
Format:Hardcover
I really enjoyed Tom Hollands' previous two books (Rubicon and Persian Fire), but I found Millennium a little bit disjointed.

The other books were far more dramatic, with an epic clash of civilisations and charismatic personalities that sweep the reader up in the excitement and get them interested in the subject material. Instead, this book is lacking much of that, and feels unfocussed as it switches between the histories of different nations without much of a common theme between them (other than each starts with that country's conversion to christianity).

Strangely there are side-stories that seem like far more exciting subject material than the main thrust but are sadly neglected, including the decline of Byzantium from it's exceptional sophistication and holiness to corruption, infighting and collapse, or the crusades (the book ends with a very rushed account of the first crusade), and at first it seems like the book will chronicle the empire of Charlemagne and it's successor states but this is never fully realised.

In the end I was left confused about what the real theme of the book is supposed to be. The expected apocalypse with the coming of the millennium (hence the title of the book) is only really discussed in the first half of the book and even then only as a half-baked motivation for some of the events described (although the evidence for that explanation seems weak). Much of the book describes the evolution of the papacy from being a weak and powerless provincial bishopric into the undisputed head of the western church (with political independence from the kings of europe), but again, this covers only a small part of the book. The rise of christianity across the continent is another theme, but very little of the book describes conversions compared to the amount that discusses wars and politics.

I'm not saying that this is a bad book, but I would definitely rate it as a poor relation to the other two if (like me) you loved Tom Hollands' other books for their entertaining, page-turning drama and urgency.
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5 of 5 people found the following review helpful
By rob crawford TOP 1000 REVIEWER
Format:Paperback
After having read Rubicon, Holland's masterpiece of popularization, this book was rather disappointing. It is about the approximate period of 900 to 1100 C.E., the convulsive transition between the Dark Ages and the great renascence of the Gothic era. This is an extraordinarily complex moment, not only in internal evolution of the Latin West but from the three civilizations (Viking, Hungarian, and Moslem) pressing it from all sides. Unfortunately, in contrast to the focus on key watershed events of Rubicon, this makes for a sprawling and diffuse narrative that Holland does not quite pull off.

The book begins with the moment when Henry IV (the future Holy Roman Emperor) is forced to pay penitence to Pope Gregory VII, that is, when a worldly leader must acknowledge for the first time his inferiority before the power (moral or otherwise) of the leader of the Latin branch of Christianity. Holland then promises that the book will examine the beginnings of modernity, when the imprecise promises of apocalypse and Christ's return to bring about justice in the next world did not occur when expected, at the turn of the first millennium, gave way to new political and spiritual arrangements that had to be undertaken on Earth. Unfortunately, by the end of the book, he did not do this. That being said, the journey through the book is in many ways deeply rewarding.

For starters, the West (i.e. Latin Christendom) had been under siege for centuries. First, a new eastern faith, Islam, had eaten away at Christendom to establish a fractious empire that was moving into Europe from two directions. Second, the Vikings and Hungarians, both savage pagan fighting forces, were also making inroads and sowing destruction. Third, inside the West, no coherent and durable political entities had emerged since the collapse of Rome, which perpetuated socio-economic and military chaos. In this lack of order, dynasties (e.g. Carolingian) emerged for a short time, only to collapse after a few generations like most pillage-based empires. Meanwhile, the church cowered before whoever was the current tyrant and meekly obeyed. Nonetheless, peasants were relatively free, there was great diversity in terms of religious observances, and oases of order (e.g. the Cluny monastery) flourished. While Holland covers these effectively, there are so many quirky details thrown at the reader that it is impossible to see where the narrative is going at times, particularly as he digresses too often into some interesting personal story about the powers that be.

Then a period of stability began. To accommodate Western Kings, the pagans began a long period of conversion to Christianity. This established a certain commonality and coherence to the emerging civilization, eventually rendering it far more manageable. In addition, with the construction of castles - a sign that the barbarian migrations were at last ending as ethnic/linguistic groups settled into the geographic spaces that many still occupy today - the stage was set for tighter political and economic control; this involved the brutal subjugation of the peasantry into organized serfdom. Moreover, the Arab advance had slowed, though the Turks were a new threat.

At the same time, the Christian Church faced a number of challenges. Feeling besieged quite literally, its leadership knew it had to offer more to its members during the Millennium hysteria and questioning. Not only did this lead to the creation of the knighthood - an attempt to marry brute force to Christian ideals - but to a reform movement from within the church. This established the notion of heresy, which narrowed Christian option and set the stage for the creation of an ideological apparatus with power to kill. In terms of behavior, this led to a renewed emphasis on penitence and saintly living, culminating in the accession by acclamation of the ascetic Hildebrand as Gregory VII, in defiance of both the Holy Roman Emperor and the Roman elites. This in turn generated a terminal conflict with King Henry IV, who was successively excommunicated, absolved, re-excommunicated, re-absolved, and then returned after civil war challenges to depose the Pope by force and install his own sop.

Unfortunately, the book had long lost its narrative thread by this point, the beginning of the Gothic era. THough Gregory VII had died in despair and exile, his spiritual successor Urban II, the shrewd and guileful Odo of Cluny, instituted many of his reforms and sparked the Crusades to retake the holy lands of the Near East. The book completely collapses at this point: Holland mentions that reforms were made, that economic developments gathered steam, that a new era dawned, but he neither analyses nor even characterizes them in any detail. That means he fails to explain "the epic rise of the West" of the subtitle (in American editions), which must have been a mere marketing tool.

WIth these severe deficiencies noted, I confess that much of my disappointment may be due to the fact that I don't know this period of history all that well, which is a question of the audience Holland was writing for - the very well informed, not the novice. In other words, I was trying to learn too much about the basics that simply were not covered well enough here. I did know much more about Julius Caesar and hence Rubicon was a much more enjoyable read. Nonetheless, Rubicon was far better focused into a coherent narrative, a format in which a tight story could be told with great success. That was not possible for the Millennium period.

Recommended. Holland over-extended himself on this one, but it is well worth the effort. His writing style is truly wonderful - playful yet serious, clear and wide-ranging. I will simply have to find what I was looking for - the making of Europe - somewhere else.
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38 of 42 people found the following review helpful
4.0 out of 5 stars The Original Millenium Bug? 26 Sep 2008
By Kuma
Format:Hardcover|Amazon Verified Purchase
Tom Holland does history and historians a great service. He brings areas of history such as the ancient world or the middle ages that have been increasingly the preserve of academics back to the general populace. He does this with wit, clever anecdote, narrative history and the confidence to nmatch his history with the trends in academia.

Millenium in this respect is a triumph of writing. First he succeeds in providing a highly cohesive narrative for a landscape that was divided amongst so many kingdoms and cultures, this is a victory in itself. secondly he ensures that his narrative is not the dull constitutional histories of the past that are a collection of dates but instead tries to really understand the motivations of the history.

Significantly he addresses the importance of religion and especially the Christian pre-occupation with the second coming. In an age that increasingly doesn't understand faith or wishes to downplay it's involvement in history, Holland masterfully draws in a clear and fair image of religion in keeping with current trends in middle ages history. He is very good at discuss the abbey at Cluny and using the abbey to draw a detailed image of the periods religious landscape. Skillfully he also looks at Muslim and Jewish attitudes and beliefs in the period and amazingly manages to fit into his narrative some well thought insights into the intellectual relationships between these faiths. It is often the downfall of historians of this period to take too Christian a view of events, but Holland succeeds in rising above this, it is to say the least refreshing.

The quality of his language and the structure of the book are also expertly compiled and depsite the need to travel both backwards and forwards in time to describe a kingdom or development, Hollands literary ability shines through.

I have only given the book 4 stars and need to explain why. In part Holland's great success in creating a unified history by focusing on Millenial angst also hinders the development of the work. First he never really addresses the extent to which we see AD 1000 as the millenium rather than the people of the middle ages who were less certain of dates and also using a plethora of religious dates to formulate an idea of the millenium (i.e. Christ's birth, crucifixtion, the birth of Mohammed etc), and that there were other reasons for the development of the period. He is disappointly uncritical of his entry point into the period, the millenium which feels like an opportunity wasted.

All in all a terrific work for a difficult period, Holland has made an accesible, intense and engrossing piece of history.
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Most Recent Customer Reviews
4.0 out of 5 stars End of time
A very good read taken at great speed.
Rather difficult to read for more than a couple of hours without your
brain going on strike. Read more
Published 4 months ago by Paul M. Mather
5.0 out of 5 stars The sweep overwhelms the irritations
Historical writing would be poorer without Tom Holland. He's written convincingly about a period of which I knew nothing.

Not that it lacks mannerisms. Read more
Published 4 months ago by John Page
1.0 out of 5 stars Disjointed
Basically unreadable if one is looking for 'history.' Total helter-skelter, a disjointed treatise. Jumps back and forth 1-2 centuries at a time. Read more
Published 6 months ago by Robert F. Woods
3.0 out of 5 stars Slightly infuriating though Holland's book may be, yet it is not...
If you find the title of this review clunky and confusing, it might be an idea to give the book a miss. Read more
Published 8 months ago by Mr. S. A. Brown
5.0 out of 5 stars Good book
I must admit I didn't enjoy this one as much as Rubicon and Persian Fire, but that's only because Medieval history doesn't fascinate me as much as ancient history. Read more
Published 12 months ago by DavesTheName
4.0 out of 5 stars The power of belief
Another informative epic history from Tom Holland. I like his central theme of the impact that the idea of the End Of Time had in forming the medieval world, the irony being how... Read more
Published 14 months ago by Pensato
1.0 out of 5 stars Such a shame
If you have read Tom Holland's wonderful book "The Forge of Christendom - The End of Days and the Epic Rise of the West"
Then you have also read this book. Read more
Published 17 months ago by Such a pity
4.0 out of 5 stars Not as good as its predeccesors
In his two previous books Tom Holland took us to the worlds of the Roman Republic in Rubicon and the worlds of the Greek city states and Persian empire in Persian fire. Read more
Published 22 months ago by Darryn
4.0 out of 5 stars A world of dreams and nightmares
I picked up this book in complete innocence: never having read any of Holland's previous work, and not having read much on the Middle Ages, either. Read more
Published 23 months ago by Kalense
3.0 out of 5 stars Good But Not Rubicon
I came to 'Millenium' by way of 'Rubicon', the author's previous work, so I had very high expectations indeed. Ultimately, I reckon I set the cross-bar a little bit too high. Read more
Published 24 months ago by CorkRebel67
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