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Midnight in Paris [DVD][2011] [2012]


Price: £5.00 & FREE Delivery in the UK on orders over £10. Details
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Product details

  • Actors: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Carla Bruni
  • Directors: Woody Allen
  • Format: PAL, Colour, HiFi Sound, Widescreen
  • Language: English
  • Subtitles: English
  • Subtitles For The Hearing Impaired: English
  • Audio Description: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: 12
  • Studio: Warner Home Video
  • DVD Release Date: 6 Feb. 2012
  • Run Time: 90 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (327 customer reviews)
  • ASIN: B005PNO4XG
  • Amazon Bestsellers Rank: 1,394 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Reviews

Product Description

Even for people who have never been to Paris, the name of the city is more than a metaphor for magic. Certainly there’s no better place on earth that Woody Allen could have chosen for his critically-acclaimed romantic comedy featuring an all-star cast led by Owen Wilson, Rachel McAdams, Michael Sheen and Marion Cotillard.

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From Amazon.co.uk

Paris is a city that lends itself to daydreaming, to walking the streets and imagining all sorts of magic, a quality that Woody Allen understands perfectly. Midnight in Paris is Allen's charming reverie about just that quality, with a screenwriter hero named Gil (Owen Wilson) who strolls the lanes of Paris with his head in the clouds and walks right into his own best fantasy. Gil is there with his materialistic fiancée (Rachel McAdams) and her unpleasant parents, taking a break from his financially rewarding but spiritually unfulfilling Hollywood career--and he can't stop thinking that all he wants to do is quit the movies, move to Paris, and write that novel he's been meaning to finish. You know, be like his heroes in the bohemian Paris of the 1920s. Sure enough, a midnight encounter draws him into the jazzy world of Scott and Zelda Fitzgerald, Picasso and Dali, and an intense Ernest Hemingway, who promises to bring Gil's manuscript to Gertrude Stein for review. Gil wakes up every morning back in the real world, but returning to his enchanted Paris proves fairly easy. In the execution of this marvelous fantasia, Allen pursues the idea that people of every generation have always romanticized a previous age as golden (this is in fact explained to us by Michael Sheen's pedantic art expert), but he also honors Gil's need to find out certain truths for himself. The movie's on the side of gentle fantasy, and it has some literary/cinematic in-jokes that call back to the kind of goofy humor Allen created in Love and Death.The film is guilty of the slackness that Allen's latter-day directing has sometimes shown, and the underwritten roles for McAdams and Marion Cotillard are better acted than written. But the city glows with Allen's romantic sense of it, and Owen Wilson has just the right nice-guy melancholy to put the idea over. A worthy entry in the Cinema of the Daydream. --Robert Horton

Customer Reviews

4.2 out of 5 stars

Most Helpful Customer Reviews

7 of 7 people found the following review helpful By Matt Wright on 8 April 2014
Format: DVD
A beautiful fantasy based around the idea of living in 'The Golden Age', and learning to live in the present, while looking back at the past.

I admittedly haven't seen many of Woody Allen's films, but after watching this it has urged me to watch many more. It is a charming and funny film, that works on it's simplicity.

It is wittily written, and perfectly paced.

It doesn't ever feel the need to go into unnecessary details over the science of the time travel, except that it's Paris. And it doesn't surprise them.

There is a romance to the film, even though there is not always a romance on the screen. The presence of Paris is enough, coupled with the orange ambience that fills every night scene. It oozes love and romance.

The performances are enjoyable to watch also. Owen Wilson reminded me that he can actually act, after watching one of his worst performances in 'The Internship'. There are also some fun cameos and supporting characters, such as Tom Hiddleston as F. Scott Fitzgerald, and Adrian Brody as Salvador Dali.

There is nothing that wrong with the film, except that it just didn't blow me away. But it didn't need to.

It is a brilliant piece of escapism.
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37 of 39 people found the following review helpful By Mr. Philip Baird on 23 July 2012
Format: DVD
Have only just watched Midnight in Paris but feel moved to give a few impressions after a first viewing. There's an awful lot one could say about this movie, as in spite of its lightness and easy going charm there's a lot going on here. Firstly, I really enjoyed it and Owen Wilson was perfect in the lead role as the American abroad, slightly disaffected, sad, romantic, and yearning for something lost, yet deprecatingly funny and ironic. He's always been a wonderful comic actor with a natural and unforced subtlety, and here he plays the Woody cipher to great and touching effect. Allen's love of early jazz and his great clarinet hero Sidney Bechet gives the opening a wonderful lift-off to the exhilarating sound of genius against the images of the City of Light, an intoxicating blend of sound and vision. The dream sequence begins beautifully with Wilson 'lost' and slightly drunk at night in the city, with more than a hint of the washed up writer Joseph Cotten (The Third Man) about him. The magnificent vision of the 1920's Peugot sweeping up in front of him takes us into a 'Gatsbyesque' haut-monde of the expatriated Americans in Paris. Although the film doesn't have as many laughs as classic Allen, it is in these early dream scenes where Wilson gets to deliver his funniest lines. The joke about Djuna Barnes was just one wonderfully comic moment, and Wilson is so adept at Woody's style of humour.

The film does have some weaknesses; the director does tend to overpack his suitcase with perhaps a few too many literary and artistic characters (We really didn't need Gaugin and Degas as well), and there are too many unfeasibly good looking women abounding on screen.
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7 of 7 people found the following review helpful By Dan Redford on 1 May 2014
Format: DVD Verified Purchase
Without doubt, the finest and most original Woody Allen film scripts of all. Set in Paris, it is also beautifully filmed. I would have no problem seeing this film again and again.
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2 of 2 people found the following review helpful By Mr. G. Bridgeman-clarke TOP 500 REVIEWER on 26 Mar. 2015
Format: DVD Verified Purchase
I have never been a great woody Allen fan and as such I generally avoid films in which he acts or directs. However after a recent visit to Paris one of my friends pointed out a number of areas where this film was set. Intrigued I bought the film when I returned home I found it rather entertaining. I love the idea of time travel and Owen Wilson acts out his part very well. I must admit I did not know that so many artists lived in Paris in 1920s and 30s and after watching the film I did do a bit of research and found that indeed Ernest Hemingway, Robert Capa and many others did live in Paris at the same time.

This is a very easy film to watch and I enjoyed it. I would have preferred a better ending but all in all well worth viewing.
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1 of 1 people found the following review helpful By Martin Turner HALL OF FAMETOP 100 REVIEWERVINE VOICE on 30 Mar. 2015
Format: DVD Verified Purchase
So, ok. You want to watch a Woody Allen film, but you're not sure which one. Mighty Aphrodite, with its oddly supernatural-imbued ethos, or maybe Manhattan, because it's so evocative. But then there's Hannah and Her Sisters, with that great scene with Michael Caine. But isn't all this a bit too serious and (maybe) even depressing? Are you sure you're not overthinking this one? I mean, how can you know?

If you're in a dilemma, then Midnight in Paris may well be the one to watch, because it's got almost all of the hallmark Woody Allen ingredients, only more so. Owen Wilson gets the character that Allen would have played, if only he were still young enough, absolutely right. There's the set-piece argument with the Republican, the feelings of intellectual inferiority, the oppressive fiancée, the yet more oppressive mother-in-law to be, the romance that could have been so much more, and, finally, the pay-off, where Allen/Wilson meets the manic-pixie-dream-girl who perfectly fits his personality.

All of these are great things, but it's the involuntary time-travel riff which really makes this film hum. Allen has experimented with time travel before, of course, but in this film his alter-ego gets to meet more of his heroes than even Bill and Ted do in their extraordinary adventure.

This is a maturer film than many. In the earlier Allen, his main character's weaknesses are exposed and exploited, and the protagonist is so often left with only might-have-beens. Perhaps Manhattan Murder Mystery was the turning point, but this one takes it right to its conclusion.
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