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Midnight in Paris [DVD][2011] [2012]

Owen Wilson , Rachel McAdams , Woody Allen    Suitable for 12 years and over   DVD
4.1 out of 5 stars  See all reviews (233 customer reviews)
Price: 3.00 & FREE Delivery in the UK on orders over 10. Details
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Midnight in Paris [DVD][2011] [2012] + To Rome With Love [DVD] [2012] + Vicky Cristina Barcelona [DVD]
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Product details

  • Actors: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Carla Bruni
  • Directors: Woody Allen
  • Format: PAL, Colour, HiFi Sound, Widescreen
  • Language: English
  • Subtitles: English
  • Subtitles For The Hearing Impaired: English
  • Audio Description: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: 12
  • Studio: Warner Home Video
  • DVD Release Date: 6 Feb 2012
  • Run Time: 90 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (233 customer reviews)
  • ASIN: B005PNO4XG
  • Amazon Bestsellers Rank: 581 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Reviews

From Amazon.co.uk

Paris is a city that lends itself to daydreaming, to walking the streets and imagining all sorts of magic, a quality that Woody Allen understands perfectly. Midnight in Paris is Allen's charming reverie about just that quality, with a screenwriter hero named Gil (Owen Wilson) who strolls the lanes of Paris with his head in the clouds and walks right into his own best fantasy. Gil is there with his materialistic fiancée (Rachel McAdams) and her unpleasant parents, taking a break from his financially rewarding but spiritually unfulfilling Hollywood career--and he can't stop thinking that all he wants to do is quit the movies, move to Paris, and write that novel he's been meaning to finish. You know, be like his heroes in the bohemian Paris of the 1920s. Sure enough, a midnight encounter draws him into the jazzy world of Scott and Zelda Fitzgerald, Picasso and Dali, and an intense Ernest Hemingway, who promises to bring Gil's manuscript to Gertrude Stein for review. Gil wakes up every morning back in the real world, but returning to his enchanted Paris proves fairly easy. In the execution of this marvelous fantasia, Allen pursues the idea that people of every generation have always romanticized a previous age as golden (this is in fact explained to us by Michael Sheen's pedantic art expert), but he also honors Gil's need to find out certain truths for himself. The movie's on the side of gentle fantasy, and it has some literary/cinematic in-jokes that call back to the kind of goofy humor Allen created in Love and Death.The film is guilty of the slackness that Allen's latter-day directing has sometimes shown, and the underwritten roles for McAdams and Marion Cotillard are better acted than written. But the city glows with Allen's romantic sense of it, and Owen Wilson has just the right nice-guy melancholy to put the idea over. A worthy entry in the Cinema of the Daydream. --Robert Horton

Product Description

Midnight In Paris


Customer Reviews

Most Helpful Customer Reviews
30 of 31 people found the following review helpful
4.0 out of 5 stars One of Woody's best 23 July 2012
Format:DVD
Have only just watched Midnight in Paris but feel moved to give a few impressions after a first viewing. There's an awful lot one could say about this movie, as in spite of its lightness and easy going charm there's a lot going on here. Firstly, I really enjoyed it and Owen Wilson was perfect in the lead role as the American abroad, slightly disaffected, sad, romantic, and yearning for something lost, yet deprecatingly funny and ironic. He's always been a wonderful comic actor with a natural and unforced subtlety, and here he plays the Woody cipher to great and touching effect. Allen's love of early jazz and his great clarinet hero Sidney Bechet gives the opening a wonderful lift-off to the exhilarating sound of genius against the images of the City of Light, an intoxicating blend of sound and vision. The dream sequence begins beautifully with Wilson 'lost' and slightly drunk at night in the city, with more than a hint of the washed up writer Joseph Cotten (The Third Man) about him. The magnificent vision of the 1920's Peugot sweeping up in front of him takes us into a 'Gatsbyesque' haut-monde of the expatriated Americans in Paris. Although the film doesn't have as many laughs as classic Allen, it is in these early dream scenes where Wilson gets to deliver his funniest lines. The joke about Djuna Barnes was just one wonderfully comic moment, and Wilson is so adept at Woody's style of humour.

The film does have some weaknesses; the director does tend to overpack his suitcase with perhaps a few too many literary and artistic characters (We really didn't need Gaugin and Degas as well), and there are too many unfeasibly good looking women abounding on screen.
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5 of 5 people found the following review helpful
5.0 out of 5 stars Best Woody Allen of them all!!!! 1 May 2014
Format:DVD|Verified Purchase
Without doubt, the finest and most original Woody Allen film scripts of all. Set in Paris, it is also beautifully filmed. I would have no problem seeing this film again and again.
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39 of 43 people found the following review helpful
5.0 out of 5 stars Romanti-Sceptics Need Not Apply! 2 Jan 2012
By F. S. L'hoir TOP 500 REVIEWER VINE VOICE
Format:DVD
When one lives in and loves a city with an ancient history, such as Paris or Rome, it becomes very easy to sense the existence of an imperceptible permeability between past and present. It is as if one only has to wait for the light to change a certain way, or for a bell to strike a certain hour, and the magic will happen--for those who are receptive to magic, that is, and are willing to believe in the Magic of Place.

This is the premise of Woody Allen's latest whimsical flight into the imaginative world of Gil Pender (Owen Wilson), a self-acknowledged Hollywood screenwriting hack, who dreams of writing a novel, the protagonist of which owns a nostalgia shop. "What is a nostalgia shop?" asks one of Allen's characters. Anyone who has to ask such a question is assuredly immune to magic, and will probably not enjoy this film. Since I am a romantic and firmly believe in the Magic of Place, I enjoyed it immensely.

Woody Allen clearly loves Paris. His opening scenes, in fact, represent a paean to The City of Light, as for almost four minutes the camera, with an evocative jazz accompaniment, moves from point to point along the Seine, the Luxembourg Gardens, Montmartre, the Champs Élysées, the Tuileries, the Left Bank, among other locations. We are treated to views of great boulevards, narrow streets, steep stairs, roofs with chimney pots, as the camera's eye glances at brasseries, cafes, fashion houses, fountains, the pyramid of the Louvre, Notre Dame, the Opera, and the Tour Eiffel. Paris in the sunshine; Paris in the rain. And all that is before the opening credits, in which we see that Allen, as usual, has assembled an ensemble cast. And for a special treat, the actual film begins among the lily ponds at Monet's Giverny.
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23 of 26 people found the following review helpful
4.0 out of 5 stars A Definite Return To Form 9 Feb 2012
Format:DVD|Verified Purchase
It seems that Woody Allen was simply not at home in London - and Barcelona was only a little better. On the evidence of this movie Paris is clearly his second city after New York. The story is intriguing : Gil (Owen Wilson), a Hollywood scriptwriter, is on holiday in a picture-postcard Paris with his fiancee Inez (Rachel McAdams). He is struggling with his first novel and somewhat distracted when it comes to sightseeing and socialising. Then, alone in a street at midnight he finds himself mysteriously transported back to the Paris of the 1920s where he meets the likes of Scott Fitzgerald, Ernest Hemingway, Cole Porter, Gertrude Stein and Pablo Picasso. Enchanted, if bemused, his enchantment increases when he falls in love with Picasso's mistress, Adriana. Together, they go back to the Paris of the 1890s, visit Maxim's and the Folies-Bergere and meet Toulouse-Lautrec and other French Impressionist painters. Returning to the real world of 2010 Gil decides to break with Inez and stay in Paris, whereupon he finds a potential new love with a pretty Parisienne who has a connexion with some old Cole Porter records. This is a cinematic conceit in the manner of Back To The Future, Pleasantville, The Truman Show and Allen's own The Purple Rose of Cairo. Quite delightful - and it's not every movie that boasts France's First Lady in its cast list.
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