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Amazon.co.uk Review
Jamie "Hotel" Hince might have become tabloid fodder thanks to his relationship with Kate Moss, but the third album by The Kills, his band with American vocalist Alison "VV" Mosshart, does relatively little to tidy itself up for mainstream consumption. Midnight Boom is a typically lean set of makeshift punk-blues characterised by Hince's raw, Nick Zinner-style guitar, and Alison's bad-attitude drawl: see the opening "U.R.A Fever", a beat-up call-and-response number reminiscent of Royal Trux than sees Hince and Mosshart swapping sour quips over loping bass and drum machine thud, while "Cheap and Cheerful" sees Mosshart declaring "I want you to be crazy/'Cos you're boring baby when you're straight". The presence of producer Armani XXXchange of Baltimore hip-hop outfit Spank Rock means there's a greater emphasis here on rhythm, often of a synthetic nature: "Alphabet Pony" bumps along on robust, lo-fi drum kicks and bursts of primitive electronics, while "Black Balloon" is a slow-burner that toys with layered percussion built from hand claps, scrapers, and tapped snare. The Kills still have problems with a big, memorable chorus–-assuming, indeed, that was ever their intention--but Midnight Boom is all about grit and grooves, and it does that just fine. –Louis Pattison
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Customer Reviews
Most Helpful Customer Reviews
8 of 8 people found the following review helpful
Format:Audio CD
Yup. It's Good. Very, very good in fact.
Genre-fretters have long been out to pin this fine little combo down.
Three albums in however and what we have here in essence
are twelve splendidly energetic pop songs.
The pared-down, edgy simplicity which has become
Mr Hince's and Ms Mosshart's calling card belies a finely
honed ability to create catchy and memorable material
of the finest calibre from the simplest musical building blocks.
'Getting Down' must surely have the ghost of Mr Bolan smiling in the wings.
'Cheap and Cheerful' could and should find a place in every discotheque in the land.
'Last Day Of Magic' romps along like there's no tomorrow - it's
killer hook chorus is utterly irresistible.
Darker moments intrude occasionally. Closing track 'Goodnight Bad Morning'
demonstrates a capacity for a more tender, reflective style but essentially
'Midnight Boom' is a stonkingly upbeat affair.
We will be unlikely to hear many more finer albums this year.
Highly recommended
Genre-fretters have long been out to pin this fine little combo down.
Three albums in however and what we have here in essence
are twelve splendidly energetic pop songs.
The pared-down, edgy simplicity which has become
Mr Hince's and Ms Mosshart's calling card belies a finely
honed ability to create catchy and memorable material
of the finest calibre from the simplest musical building blocks.
'Getting Down' must surely have the ghost of Mr Bolan smiling in the wings.
'Cheap and Cheerful' could and should find a place in every discotheque in the land.
'Last Day Of Magic' romps along like there's no tomorrow - it's
killer hook chorus is utterly irresistible.
Darker moments intrude occasionally. Closing track 'Goodnight Bad Morning'
demonstrates a capacity for a more tender, reflective style but essentially
'Midnight Boom' is a stonkingly upbeat affair.
We will be unlikely to hear many more finer albums this year.
Highly recommended
13 of 15 people found the following review helpful
Format:Audio CD
I don't ever write reviews so I'm useless at it.. but this album is absolutly brilliant, has all the ingredients.. melodies, beats, dirty guitar, cooning and gnarling vocals.. I seen them live in Brighton also and they were incredible. Kind of hope they remain an underground secret though, is that bad?
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Most Recent Customer Reviews
Superb!
I stumbled across the Kills as a recommendation from Amazon, listened to a few tracks and loved what I heard!
Now a regular part of my playlist, excellent album!
Now a regular part of my playlist, excellent album!
Published 8 months ago by Bex
Beautiful and haunting from the first listen
Wow... completely exceeded my expectations. I was quite shocked at the beauty of this album considering I had only heard 3 The Kills songs before and I am so blown away, to the... Read more
Published 15 months ago by arcticmonkeys...
Nice for fans
Hooking and stunning songs, not as rough as on the debut album "keep on your mean side". But, admittedly, Alison Mosshart is the queen of garage punkrock. Read more
Published on 22 July 2009 by CK
The Idea of this album sounded great
You know what lets this album down? The terrible vocals from the clearly confused Jamie Hince. Stuck somewhere between Tom Petty and Robert Del Naja. Read more
Published on 2 Jun 2009 by Carlo_Von_Sexron
Boom boom!
In comparison to many bands around at the moment The Kills are deep, dark and brooding. This album is a grower - you need to appreciate the type of Bluesy Grungy music that the... Read more
Published on 23 Dec 2008 by M. Speller
Sounds good but not sure on its depth.
Have given this album a good 4/5 listens now and my concern is its lack of depth and lastability.
It is certainly very cool and with the times. Read more
It is certainly very cool and with the times. Read more
Published on 13 Nov 2008 by Mr. D. Thompson
THE KILLS MIDNIGHT BOOM
THE KILLS ARE FANTASTIC. RECENTLY SAW THEM LIVE IN LEEDS AND THEY WERE AMAZING. THEY HAVE RAW EDGINESS THAT IS RARE IN BANDS THESE DAYS. THE ATMOSPHERE ON STAGE WAS ELECTRIC. Read more
Published on 20 April 2008 by NAT B
Brilliant
I completely agree with the first review, this album is absolutely packed full of tunes. Its one of those albums where you keep turning the stereo up with every song because each... Read more
Published on 31 Mar 2008 by Alexis Bulgarium
Superb
I dont have any of the bands other albums but I saw them perform on the album chart show so I went and got this in. Read more
Published on 11 Mar 2008 by Andrew Jamieson
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