Micah P. Hinson and the Opera Circuit, Hinson's second full-length, is one of the most dynamic and exceptional releases of 2006. It leans heavily on the old (country, folk, blues), but this isn't dress-up; there is no image vetting. In a time when gimmick-driven bands such as the Killers and the Stills are playing out their classic-rock fantasies, the Springsteen-inspired brass hooks on Hinson's "Jackeyed" and "Letter to Huntsville" ring with such honesty and then there are hooks that make you feel something more than vague nostalgia. True too for the more indie-folk songs on the record, only M. Ward or Old Crow Medicine Show have produced purer Americana than the foot-stomping "Diggin a Grave" or the banjo plucked "She Don't Own Me." The album closes with an arresting death-ballad, "Don't Leave Me Now." A sample of Robert Johnson crawls under the fluttering of a reel-to-reel projector while the drone of a cello and a plaintive piano progression set up Hinson's vocal delivery: "Don't take me now/ I must confess/ Found the word digress and made it a home."
Micah P. Hinson and the Opera Circuit is a pure expression of turmoil, a cathartic release through art that skillfully avoids self-obsessed mawkishness. Hinson and his band members build frames of sound around his voice and words, enhancing but not burying, as often spare as engulfing. Good music that came out of bad times, no silver lining necessary.