Tense and intense lifestyles, inner dramas, what would be Miami Vice without its music? We were then in the videoclip days and in the highest manifestation of the eighties in television. For now, Miami Vice may be not more than TV history, but surely was hard to make a good cops show after. Hopefully, in time, the show may be remembered not as a fashion that passed, but as an incredible source of ideas, language, and television pop art. Like it or not, Vice is unique.
And what would be its music without the images? It's impossible to hear "In The Air Tonight" or "Chase" without remembering the dark Daytona Ferrari crossing the Miami streets at night, Crockett and Tubbs with their minds faster than the car, time seems to stop moving. "Evan" and "You Belong to the City" bring us Crockett's conflicts. "Miami Vice" the extended version had an unforgettable videoclip, an edition of episodes making a tiny episode with composer Jan Hammer as a bad guy, and well... he surpasses the heroes. Unfortunatelly this extended version has a remix version not released in CD. Jan's music for the show was a show apart. It surely deserves to be released in CD completely: it's no less important than Don Johnson acting... "The Original Miami Vice Theme" alone shows the Vice world in a minute's glance (despite of being almost imperceptibly different from the original show version). The voice of Tina Turner in "Better Be Good to Me" personalizes Gina, Trudy and their "female cops in hooker's skin" storms. "Flashback" is for Tubbs' grieve, revenge for his brother's death. Those are just some moments of uncountable moments this series made during five years of such real characters in a shocking colored world.
This Cd is a souvenir from Vice... In this show image is sound and sound is story.