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Mezzanine [VINYL]

4.6 out of 5 stars 119 customer reviews

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1 new from £28.97 2 used from £97.27 1 collectible from £89.00

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Product details

  • Vinyl (6 April 1998)
  • Number of Discs: 2
  • Label: Wild Bunch
  • ASIN: B000006044
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  Mini-Disc  |  MP3 Download
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (119 customer reviews)
  • Amazon Bestsellers Rank: 645,555 in Music (See Top 100 in Music)
  • Sample this album Artist (Sample)
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Product Description

Sealed. Repress!

Customer Reviews

Top Customer Reviews

Format: Audio CD
If ever there was an album to which superlatives apply then this is it. Less soulful and playful then earlier outings this is nonetheless Massive Attack's finest album. From the low throb of opener angel to the last clatter of exchange this is an album to love. Dark, bruising and fractured certainly yet still swelling with a subsumed emotion that is worth a million Will Youngs.
This is an album that can aptly be described as 'difficult' without actually being difficult to listen to. Massive Attack's strange and threatening audio world is so artfully arranged that it never strikes as discordant or awkward. If a first listen beguiles, and I assure you that it will, then repeated attempts will reveal new wonders and finally will render the darkness warm and cozy and the only sane response to life.
Played at a low volume the sounds that ooze from the speakers sit sulkily lurking at the corners of the room, ripe with menace. Played loud the heavy metal thunder of Angel or Dissolved Girl will work its corrosive magic in a way that the nu-metal fraternity can only dream of. The vocalist most associated with this album is Elizabeth Frazer and its easy to see why. The distinctive style of her vocals perfectly offsets the sullen and richly textured sounds in which they are set, like diamonds in black velvet. However personally I find Sarah Jay's only track, Dissolved Girl far more effecting. Her low voice is both sexy and, like Beth Gibbons of Portishead, conveys volumes of stark emotion just veering off desperation. Horace Andy's caramelised voice adds sweetness to every track that he sings on.
Despite the various different styles and plethora of vocalists, five in total, this album still manages more coherence then more straightforwardly structured bands seem capable.
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1 Comment 26 of 26 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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By A Customer on 10 Jan. 2001
Format: Audio CD
Massive Attack have famously evolved their style throughout their career, from the lush soul/hip-hop notes of Blue Lines to the dubbed-out smoked-out lope of Protection (getting further dubbier on the Mad Professor remix album). This time however, they have really turned things about.
I must admit I was a little apprehensive when I'd heard that they'd gone all "rock" but my first listen to the album in its entirety after hearing the chilling tones of the first single "Rising Son" took all of my (mis)preconceptions, chewed them up and spat them a very long way away. The darker, deeper vibes, briefly visited on Protection's Eurochild are prevelant throughout, with 3D and Daddy G working somber menacing tones, presumably exorcising demons of some kind (the majority of the lyrics being typically cryptic).
Horace Andy, always welcome, is on his usual fine form, his spine-tingling falsetto providing a sublime, haunting edge to "Angel" and "Man Next Door", with new girl Sara Jay showing her rather fine vocal skills on the out and out rocker "Dissolved Girl". Grant (Daddy G) makes a more noticeable appearance than previously, his deep, gruff voice suiting the new vibe perfectly, and it is only after a couple of listens that you notice the absence of Tricky (presumably a result of him having gone "a bit wierd"), though this is no bad thing here.
It is the appearance of Liz Fraser (Cocteau Twins) that truly wins this album though, particularly on the astonishingly beautiful "Teardrop", a true tear inducing masterpiece (despite the lyrics being more or less incoherent!), with its lush strings and heart-beat imitating drum loops.
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2 Comments 41 of 42 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: Vinyl
The vinyl on this is dead quiet, it did have a lot of factory dust from the paper inner sleeves but a quick clean on the VPI fixed that. I'd recommend putting them back in polylined inner sleeves. The jacket is a bit flimsy and should have been higher quality. I have an original and it was a much nicer gatefold.

Mastering-wise, this sounds really close to the original I own but without the pops on my original which grades VG at best. I'm not sure if this is from the CD master or the original tapes. Being a 90s release it might have been all digital from hard drives or DAT so it may not matter anyway. Even if it is analog tape, all the samples that make up most of the music are 16 bit 44.1khz digital anyway. So in short, buy this because you like vinyl and don't expect the sound to be better than the CD, which I think already sounds fantastic.

My biggest complaint is the mailer. I don't know why so many things I order from the UK and Europe have the thinnest cardboard but because of it one of the corners got bent. I've read on forums that this is a common problem with this release. They need to use real LP mailers like the ones made by Bags Unlimited.
Comment 8 of 8 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: Audio CD
Get hold of this album. Wait until about 11 in the evening. Sit in your favourite armchair in a room lit sparsely. A couple of candles, perhaps. Turn up your hi fi so the sound fills the room, but doesn't deafen. Press play. Evaporate.
This album can be seen as a logical progression from Blue Lines and Protection as the textures get more complex and the sounds more original. It's certainly my favourite of the three. With some beautiful vocals on tracks like Teardrop, and some amazing energy on tracks such as as Angel this album offers a spectrum of atmospheres to experience. Some great laid back rapping and beats to make you kneel on the floor and thank god you've got a pulse. The addition of crunching guitar in the backgorund alongside organic synths works brilliantly.
This is music you can have as background whilst doing other things, but that's missing the point. Mezzanine is music to breathe to.
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