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Review
Princeton Architectural Press should be applauded for rescuing this book and making it available to a wide audience. Scott Gutterman, "Architectural Record"
A book like this lives or dies by the quality of the drawings. And here Ferris's dark, chiaroscuro renderings retain their atmospheric impact. Howard Mansfield, "Small Press " --This text refers to an out of print or unavailable edition of this title.
A book like this lives or dies by the quality of the drawings. And here Ferris's dark, chiaroscuro renderings retain their atmospheric impact. Howard Mansfield, "Small Press " --This text refers to an out of print or unavailable edition of this title.
Product Description
From the 1920s through the 1950s, Hugh Ferriss was America's most celebrated architectural artist, famous for his dramatic charcoal renderings. First published in 1929, "The Metropolis of Tomorrow" was the quintessential document of the prosperity of the 1920s, as well as a personal manifesto of visionary urbanism. In it, Ferriss drew and discussed the American skyscraper and presented his romantic vision for an ideal city of the future.
This fascimile edition of this classic captures all the drama of the original volume, reprinting over 60 of Ferris's striking chiaroscuro renderings and his written commentary. In addition, included are over 40 additional drawings and photographs and an insightful essay by Carol Willis (author of "Form Follows Finance") on Ferris's career. This historic document is available from Princeton Architectural Press for the first time in over five years. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
I think that generally Dover Books are to be congratulated on reprinting many books that otherwise might never be seen again and priced very reasonably too. I don't think any plaudits are in order on this book though. I found the text very dull and the pictures gave an overall impression of blackness.
Hugh Ferris managed to develop a wonderful rendering technique (being trained as an architect no doubt helped) that seemed so suited to commercial buildings of size, especially skyscrapers. His black and white artwork is simply stunning but it needs to be printed on quality paper to bring out the subtleties of grey shading. The main problem with the book is the paper does nothing for his work and I was really made aware of this when I recently bought 'Power in Buildings' (ISBN 0940512114) a lovely reprint of his 1953 book. The fourth of his famous renderings from Evolution of the Set-back Building appears in both books but in the 'Power' edition the image looks so right.
His writing in 'Metropolis' came across as very long-winded, for example, this is from the last page of the book:
'As for personal and specific proposals, the author well knows how many parapets, other than the one we are now leaving, overlook the imaginary "Metropolis of Tomorrow" and he shares the common belief that few of the many visualizations currently being formulated can contribute more than a particle to the ultimate actuality'
The ten pages of words and pictures devoted to Set-back I thought the most interesting part of what he had to say.
Get his 'Power' book for a much better appreciation of his architectural thoughts and the fifty main renderings really look beautiful on good paper.
Hugh Ferris managed to develop a wonderful rendering technique (being trained as an architect no doubt helped) that seemed so suited to commercial buildings of size, especially skyscrapers. His black and white artwork is simply stunning but it needs to be printed on quality paper to bring out the subtleties of grey shading. The main problem with the book is the paper does nothing for his work and I was really made aware of this when I recently bought 'Power in Buildings' (ISBN 0940512114) a lovely reprint of his 1953 book. The fourth of his famous renderings from Evolution of the Set-back Building appears in both books but in the 'Power' edition the image looks so right.
His writing in 'Metropolis' came across as very long-winded, for example, this is from the last page of the book:
'As for personal and specific proposals, the author well knows how many parapets, other than the one we are now leaving, overlook the imaginary "Metropolis of Tomorrow" and he shares the common belief that few of the many visualizations currently being formulated can contribute more than a particle to the ultimate actuality'
The ten pages of words and pictures devoted to Set-back I thought the most interesting part of what he had to say.
Get his 'Power' book for a much better appreciation of his architectural thoughts and the fifty main renderings really look beautiful on good paper.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
5 reviews
17 of 18 people found the following review helpful
Brutal metropolis
9 Jun 2006
Format:Paperback
I think that generally Dover Books are to be congratulated on reprinting many books that otherwise might never be seen again and priced very reasonably too. I don't think any plaudits are in order on this book though. I found the text very dull and the pictures gave an overall impression of blackness.
Hugh Ferris managed to develop a wonderful rendering technique (being trained as an architect no doubt helped) that seemed so suited to commercial buildings of size, especially skyscrapers. His black and white artwork is simply stunning but it needs to be printed on quality paper to bring out the subtleties of grey shading. The main problem with the book is the paper does nothing for his work and I was really made aware of this when I recently bought Power in Buildings a lovely reprint of his 1953 book. The fourth of his famous renderings from Evolution of the Set-back Building appears in both books but in the 'Power' edition the image looks so right.
His writing in 'Metropolis' came across as very long-winded, for example, this is from the last page of the book:
'As for personal and specific proposals, the author well knows how many parapets, other than the one we are now leaving, overlook the imaginary "Metropolis of Tomorrow" and he shares the common belief that few of the many visualizations currently being formulated can contribute more than a particle to the ultimate actuality'
The ten pages of words and pictures devoted to Set-back I thought the most interesting part of what he had to say.
Get his 'Power' book for a much better appreciation of his architectural thoughts and the fifty main renderings really look beautiful on good paper.
Hugh Ferris managed to develop a wonderful rendering technique (being trained as an architect no doubt helped) that seemed so suited to commercial buildings of size, especially skyscrapers. His black and white artwork is simply stunning but it needs to be printed on quality paper to bring out the subtleties of grey shading. The main problem with the book is the paper does nothing for his work and I was really made aware of this when I recently bought Power in Buildings a lovely reprint of his 1953 book. The fourth of his famous renderings from Evolution of the Set-back Building appears in both books but in the 'Power' edition the image looks so right.
His writing in 'Metropolis' came across as very long-winded, for example, this is from the last page of the book:
'As for personal and specific proposals, the author well knows how many parapets, other than the one we are now leaving, overlook the imaginary "Metropolis of Tomorrow" and he shares the common belief that few of the many visualizations currently being formulated can contribute more than a particle to the ultimate actuality'
The ten pages of words and pictures devoted to Set-back I thought the most interesting part of what he had to say.
Get his 'Power' book for a much better appreciation of his architectural thoughts and the fifty main renderings really look beautiful on good paper.
17 of 20 people found the following review helpful
Visual philosopher
1 Nov 1997
Format:Hardcover
To say that this 1920's classic is anything other than a masterpiece would be proof of insanity. By "interpreting" a Law, (NY Zoning 1917), Ferriss found beauty in the hope of what might be. In today's world of 3D CAD and computers, Ferriss was able to use canvas to convey not merely ideas and requirements, but opportunities and emotions. There are few books that inspire architects more than this. The value of original prints of this is evident in that single plates are sold in New York for $20 apiece by street vendors Architects are usually too caught up in the details to appreciate the beauty of buildings. Leave it then, to a painter to bring out the beauty and grace of buildings that were meant to inspire, or were not meant to be.
5 of 5 people found the following review helpful
Magnificent Value
28 July 2005
Format:Paperback
Ferriss's drawings had an immediate impact on architecture. Some of his projections are the purest distilling of Art Deco application to buildings one can find from the age. But Ferriss's effect on cinema and illustration has been very powerful as well, and far less documented. The 1-star-off is because the reproduction quality -- quite good, no doubt -- leaves some to be desired, nonetheless: the sfumato effects appear more like soft-focus than atmosphere and the graininess brings to mind infra-red film more than the grit of a huge city fueled by leaded gas and coal.
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