Merrick (Paperback)

Although Rice's prose has improved a little, the characterisation of Louis and Lestat is totally unforgivable. Louis, that dark, sensual vampire of "Interview With the Vampire" is terribly twisted now. His reasoning-- can there be redemption for a killer-- is discarded because he wants, like any teenager, 'to belong'. Ahh.

And Merrick, well, she drinks rum. And she's spiritually talented. She's clever and loved instantly by *every* character and despite the nasty trick she performs on Louis, is forgiven, because she's so lovable. That's characterisation so shallow that you can see the words on the other side of the page. Or, for the unitiated, it's what many writers call a 'Mary-Sue', a beautiful, amazing person based on the author with no faults whatsoever.

So, are there any strengths?

Well, yes, sort of. What I will say for this book is that, as someone who loves the sheer *feel* of New Orleans-- that mixture of heat and the occult and offbeat history-- it is beautifully portrayed in this book. For that reason alone, it merits the two stars.

I'm also annoyed at those who proclaim that if we don't like these drastic changes, we can lump it. What a silly suggestion-- the people who loved those first books and rushed out to buy them made Rice's career. I think we are right to expect a good adventure, or none at all. Because these new titles are a serious burden to Rice's credibility as a good author-- it is particuarly damaging to the classic "Interview With the Vampire."

In sum, if you don't care for canon, and like your characters changing out of all recognition, go ahead and buy it. If you don't care about the characters anyway, and want some beautiful descriptions of Louisiana, then, yes, buy it, because that is the strength of the novel. If, however, you're expecting a good read on the par with her earlier works, steer clear. You'll only feel cheated at the end.

Go and re-read Interview, or, spend your money on a groundbreaking new author, not a deteriorating one.

David Talbot encounters his protege/semi-lover Merrick Mayfair, an octaroon witch who now works for the Talamasca. He has an odd request for her: Louis de Point du Lac, a tormented vampire, wants to call up the spirit of the child vampire Claudia, so he can be reassured of her fate. And he needs Merrick's help to do so, since she has the ability to call up and control the dead with her voodoo magic.

David reflects on his first encounters with Merrick, her trips into the jungle in search of mystery artifacts, and the malevolent spirit of her dead sister Honey in the Sunshine. Now those artifacts may help her raise up Claudia's spirit, and might give Honey's spirit a way back into the world as well. But when Claudia is brought forth to speak with Louis, what she has to say may destroy him...

"Merrick" was advertised as the spot where the Mayfair and Vampire Chronicles converged, but that's kind of misleading. Except for some mentions of Julian Mayfair, there's only a vague connection with the "white Mayfairs." It's mostly vampires and more vampires, with only the Talamasca (a sort of supernatural FBI) as a connecting point.

As always, Rice's writing is lush and brimming over with steamy New Orleans atmosphere. But she could use some editing. There are constant references to Merrick getting snockered on rum, her breasts, her clothes, David lusting after her, Louis burbling about how he loves her, and so on. And Rice seems to lose her way in the final chapters, as if she wasn't entirely sure how to wrap up what she had started.

The biggest flaw of the book is Merrick herself. She's certainly an intriguing character, a beautiful witch who wants to be a vampire, and isn't afraid to bend the men (and vampires) around her fingers to get what she wants. But she doesn't seem to have any flaws, motives, or recognizable emotions. We get no insights at all to what she's thinking. Louis is a rather ineffectual presence, and David is basically there to lust after Merrick. But Lestat's brief appearance toward the end sets the pages on fire.

While "Merrick" is overflowing with promise, hardly any of that promise is actually used. Beautifully written but poorly characterized, "Merrick" tries to cast a spell but doesn't succeed.