Sting's fifth studio album (1996) is somewhat of a disappointment. Recorded at his Wiltshire pile and produced (again) with Hugh Padgham, it's still a good album. However, for me it lacks imagination, and its eclectic mix of styles leads to a lack of focus. Let me explain.
We have a standard rock-ballad, a syncopated story about the consequences of a shot in the Wild West, in "I Hung My head"; a plodding gospel-style song in "Let Your Love Be Your Pilot"; a standard soul-ballad in "You Can Touch Me"; a naff country & western (it either does it for you, or it doesn't) song in "I'm So Happy I Can't Stop Crying"; a soul-rock plodding (despite good lyrics) "All Four Seasons"; another plodding rocker, "25 to Midnight", whose beat is travelling at much too slow a speed for a midnight express; a Celtic-sounding ballad titled "Round the Cape Horn to Valparaiso" with a free jam session at the end; and another pedal-steel guitar country & western "Lithium Sunset".
If I wanted a C&W album, or a soul album, or a gospel album, I would have bought one. Whilst Sting has his own unique take on all these styles, they rarely shine. Instead, I would like to praise the remaining three songs, as these are the areas for me where Sting is at his best and where he excels in style and content.
"I Was Brought to My Senses" starts as a solo ballad in the style of a strolling troubadour with fiddle and pipes. This then cleverly cuts to the band playing a song with a sixties-feel, despite the faux-string orchestra. There is great lyrical beauty here: "Inside every leaf is the pattern of an older tree", or "I saw the work of heaven in the line where the hills had been married to the sky."
"La Belle Dame Sans Regrets" (co-written with Dominic Miller) has an evening Parisian feel with its sophisticated percussion and (again) faux strings. The jazz piano only adds to the atmosphere, as Sting practices his O-level French.
But the best is the opening track: "The Hounds of Winter" is another love song, a softly-rocking ballad with a winter's feel and a good ending, the snare drum reverberating like the shivers. The voice is high in the mix, which is a pleasant change from some of the preceding albums. Sting has a strong and expressive voice; it is not perfect, but that is part of its charm.