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Merchant of Venice [VHS] [1974]
 
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Merchant of Venice [VHS] [1974]

Laurence Olivier , Joan Plowright , John Sichel    Universal, suitable for all   VHS Tape
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Actors: Laurence Olivier, Joan Plowright, Jeremy Brett, Michael Jayston, Anthony Nicholls
  • Directors: John Sichel
  • Language English
  • Classification: U
  • Studio: Polygram
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • ASIN: B00004CJJF
  • Amazon Bestsellers Rank: 4,267 in Video (See Top 100 in Video)

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Most Helpful Customer Reviews
6 of 8 people found the following review helpful
Format:VHS Tape
With an excellent cast, and my favourite quote in all shakespeare..'the fool multitude who judge by show...' delivered by a superb actor and totally cut out of the pacino version, an unforgivable error, and a pasty vague version with very little memorable characters or scenes to boot, this version just flies above it in all regards, and worth buying a video recorder for alone.How dare pacino dumb down this masterpiece!
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2 of 3 people found the following review helpful
By Bretfan
Format:DVD
The acting, in this production of "The Merchant of Venice", is really first class.
Gratiano (MICHAEL JAYSTON)is the stirdy, merry, spontaneous, cheeky and a bit scatterbrained young man that he must be.
JOAN PLOWRIGHT is a charming, touching and subtle Portia.She misses no shade of feeling of the character she embodies. I'm particularly fond of her interpretation of the trial scene, where Portia pretends to be young judge Balthazar. She speaks with the authority and self-control of her so-called office, but manage to let us perceive her emotions and her efforts to suppress it.
The part of Antonio is performed by ANTONY NICHOLLS, a nice actor older than JEREMY BRETT (Bassanio), and so, Antonio looks like a loving father, entirely devoted to his beloved son.
Bassanio is embodied by dear JEREMY BRETT (Sherlock Holmes in the outstanding Granada series of the same name). In Shakespeare's play, there are not plenty of explanations about Bassanio, but we can deduce...He is loved by good and melancholy Antonio and therefore must have all the qualities of a gentleman, and be young, and full of life and cheerfulness.He is loved by Portia, and so must be extremely attractive. JEREMY BRETT is all that: gentleman like, bursting with vitality, devilishly attractive. Had he been given a deeper character to embody, he would have shown the full depth of his insight, but he was not the age and had not the look to play Shylock...
Shylock is played by the great LAURENCE OLIVIER who gives a fantastic interpretation of the part.He first appears as a finicky and slightly ridiculous old man who makes us smile. And then, when Shylock's daughter runs away, Olivier expresses Shylock's pain with such a tremendous strength that he makes us understand far better the character, whose wickedness comes from his violent and hidden sufferings.How he cries in front of his deceased wife's portrait, because his daughter has paid unnecessary triffles with the ring her mother gave his father long ago! I must confess I was moved.Then, Shylock's pain turns into icy rage.Beautiful!
But there are also very amusing moments in the play. The Prince of Aragon is played as a decrepit and doddering old man; the actor's performance is excellent,he is quite hilarious. And it's only one example among many others.
I have yet two little reservations to express:
I wonder why the director decided to dress the actors with costumes from the 19° century. They behave, think and speack as men and women of the 16° century, so they should wear costumes of the same era.
The DVD has very little bonus footage: only a photo gallery and it does not provide us with subtitles. What are the hearing impaired people supposed to do? And what of the foreigners like me? We need english subtitles, and more so when the characters speak old english! I had the printed play with me, but some bits of the play have been cut out (for instance the hilarious conversation between Lancelot Gobbo and old Gobbo)and some others have been shifted, so I was sometimes lost and had to press the "still" button...
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  13 reviews
26 of 26 people found the following review helpful
His obit said it all--Olivier the Great 10 Aug 2001
By Linda McDonnell - Published on Amazon.com
Pure and simple, there will never be another Olivier--he stands apart, the marvel of his profession. True, his last years were too full of movies just made for a buck, featuring dubious European accents, but when you see him as he was meant to be seen, in Shakespeare, you begin to understand his depths. Take his Shylock, here in "The Merchant of Venice". I had read this play over and over for my Masters thesis, and thought I knew it pretty well. Then, when I saw this video, it was like hearing the dialogue for the very first time. He brings insight into the most inconsequential lines, and of course power to crucial scenes. So why not 5 stars, then? Well, this is one of those versions where the director felt like time traveling. For some reason, it's 1860, and Shylock is wearing a bowler hat. Why? You lose the point that a Renaissance stage jew would have been dressed very differently than the Christian Venetians, a visible indicator of Shylock's alienation. And important scenes with his daughter Jessica have been cut out, in order to force a certain directorial concept. If it ain't broke.... Notwithstanding all this, Olivier's Shylock is really something to behold. I wouldn't trade it for a wilderness of monkeys.
20 of 22 people found the following review helpful
Olivier, Brett shine in theatre-style production 21 Oct 1999
By Gregory R Snyder - Published on Amazon.com
The highlights of this video are Laurence Olivier as a modern, sympathethic, tortured Shylock, and Jeremy Brett as a smug Bassanio. Joan Plowright also gives a dead-on performance as Portia. Since Portia is ultimately the tool to Shylock's demise, the temptation might be to portray her as the antagonist in a revisionist production. This Portia, however, interprets a righteous law to an unrighteous end. The major interpretive problem I had was that the production seems to come off as a tragedy, not as a comedy, which is how Shakespeare wrote it. It may be that directors interpreting the anti-semitic content of this play in a modern context are afraid to play it for laughs. Despite this, it still works in this production, which might be better titled "the Tragedy of Shylock" (keeping in mind that the title, "Merchant of Venice," refers to Antonio, not to Shylock.)
20 of 23 people found the following review helpful
Excellent Olivier 30 April 2000
By richard_t - Published on Amazon.com
The Merchant of Venice has always been one of Shakespeare's most troublesome and controversial plays. Technically it is a comedy because it ends with a wedding, but it explores issues of prejudice and anti-semitism, and Shylock's fate (forced conversion and poverty) is hardly cheering. Hal Holbrooke once said that the measure of any Shylock is how he leaves the stage after the climactic courtroom scene. Olivier's exit is pained, proud, and sad. This is a stark play of a stubborn and despised man who is destroyed not because of his obvious personal flaws, but because of the prejudices and unfairness of his persecutors. After all, Shylock abided by the contract, Antonio weasled out and punished Shylock to boot.
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