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7 of 7 people found the following review helpful
Format:Audio CD
None of the three instrumentalists on this piano trio CD has been around all that long -- they're all in their twenties -- but the word has been getting out about them for some time now. Violinist Julia Fischer has made the biggest splash on the strength of recordings of Bach solo works, Mozart piano sonatas, and three Russian concerti as well as some high-profile concert appearances in Europe and North America. Cellist Daniel Müller-Schott is not far behind with his muscular tone, tight vibrato and a sound of his own, and a recent CD of the Elgar and Walton concerti with André Previn and the Oslo Philharmonic. Jonathan Gilad is a little less-well known but he had a very successful début CD on EMI with music of Beethoven, Brahms and Mozart. As far as I know this trio had not teamed up before, but whoever had the idea to get them together deserves a medal. All three of them are consummate chamber musicians on the evidence of this disc and, further, they appear to have the greatest respect for their trio partners. Fischer and Müller-Schott have a startling ability to match their tone to one another. Gilad's contribution sparkles and dances. Fischer, at the beginning of the rather somber first movement of the C Minor trio, reminds one startlingly of Rostropovich with a huge yet doleful sound.
The Mendelssohn Piano Trios, Op. 49 in D minor and Op. 66 in C Minor, have been recorded many times before, probably the No. 1 more often than the No. 2, and they have almost uniformly received excellent performances. Much acclaim has been heaped on some fairly recent recordings: the recent Beaux Arts Trio's second set of these works and the Florestan Trio's set. Many lovers of these works will remember an incandescent recording of the D Minor by the Stern/Rose/Istomin trio. There is even a poorly recorded by otherwise striking performance by the Cortot/Thibaud/Casals trio.
This group of young players do not take a backseat to any of the artists mentioned above. Their approach is fiery yet tender, flowing yet not afraid to linger at times. The trios have been accused of being lightweight by some snippy critics, but that charge certainly could not be leveled at these performances. These are big, muscular and spontaneous readings. There is some emphasis on the darker side of the music, especially in the C Minor, and yet they break free with a joyous élan in placed like the scherzo of the D Minor and the finale of the C Minor. The quotation of the Lutheran chorale 'Herr Gott, Dich fürchten wir alle' in that finale comes as an epiphany, one that is almost heart-breaking in its simplicity and sincerity.
The sound on this SACD disc is demonstration quality. The plain CD layer, although recorded at a somewhat lower dynamic level, is also quite good. I'm consistently impressed with the sound on these PentaTone hybrid SACD releases.
If you're in the market for a CD of these works, don't hesitate. This release joins with the greatest every made of these marvelous pieces.
Scott Morrison
The Mendelssohn Piano Trios, Op. 49 in D minor and Op. 66 in C Minor, have been recorded many times before, probably the No. 1 more often than the No. 2, and they have almost uniformly received excellent performances. Much acclaim has been heaped on some fairly recent recordings: the recent Beaux Arts Trio's second set of these works and the Florestan Trio's set. Many lovers of these works will remember an incandescent recording of the D Minor by the Stern/Rose/Istomin trio. There is even a poorly recorded by otherwise striking performance by the Cortot/Thibaud/Casals trio.
This group of young players do not take a backseat to any of the artists mentioned above. Their approach is fiery yet tender, flowing yet not afraid to linger at times. The trios have been accused of being lightweight by some snippy critics, but that charge certainly could not be leveled at these performances. These are big, muscular and spontaneous readings. There is some emphasis on the darker side of the music, especially in the C Minor, and yet they break free with a joyous élan in placed like the scherzo of the D Minor and the finale of the C Minor. The quotation of the Lutheran chorale 'Herr Gott, Dich fürchten wir alle' in that finale comes as an epiphany, one that is almost heart-breaking in its simplicity and sincerity.
The sound on this SACD disc is demonstration quality. The plain CD layer, although recorded at a somewhat lower dynamic level, is also quite good. I'm consistently impressed with the sound on these PentaTone hybrid SACD releases.
If you're in the market for a CD of these works, don't hesitate. This release joins with the greatest every made of these marvelous pieces.
Scott Morrison
Format:Audio CD
I can't imagine these wonderful trios by Mendelssohn being performed any better than this!! I consulted critical reviews before purchasing which stated that this was the best recording of the trios. I certainly agree, the playing by the young artists is refined and elegant. Just what is needed for the Mendelssohn. As for their virtuosity, it is stunning! I treasure this recording.
Format:Audio CD
You couldn't ask for a better version of these passionate chamber trios. The three major instruments for concerti - cello, violin and piano - brought together, means never a dull moment. It's too bad Julia Fischer left Pentatone (she did, didn't she?) when the partnership was proving such a success.
The only thing I'd change is the artwork, but the notes are good and the sound quality excellent.
The only thing I'd change is the artwork, but the notes are good and the sound quality excellent.
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