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It is time for Lord Vorkosigan to come into his own, as a crisis develops over the life of Simon Illyan, as Simon's memory chip appears to go into meltdown. Miles is forced to take drastic action, with the aid of the Emperor, action which ultimately leads to his redemption. And finally Lord Vorkosigan gets a little of the respect that is due to him for his service.
Much less action in this book than previously in the series, the main point of interest aside from trying to work out who if anyone is the baddie here, is the internalisation of Mile's struggle to integrate Admiral Naismmith and Lord Vorkosigan into 'Miles'. The battle is internal and at one hilarious point also external. It is something very different from the previous books in the series, and clearly key to the next phase in Miles' life. He really comes into his own here, and the conflict is ultimately resolved peacefully, if not without losses.
A fantastic addition to the series, if a little slower paced and with less external action than usual. It's about time Miles matured - it will be interesting to see where he goes next.
In many ways I felt that Memory marks the point at which Miles Naismith Vorkosigan begins to grow up, we finally find out what the adult Miles’ is like, and satisfying though the younger Miles’ was the adult is even better, this has been well worth the wait. This is possibly the best story she has written, it is difficult to stop reading, even on th 10th re-read!
While technically this is a stand alone volume in the Barrayar series there is so much development done in earlier works that readers won’t get the full benefit without reading those books. That’s just not a problem! Bujold writes real stories, with real characters and plots which are enjoyable.
This book sees Miles explore his Barrayarran personality - indeed the author implies that Miles Naismith is dead. That would be a shame, but she certainly proves that she can develop superb plots around Miles Vorkosigan, a character she deepens considerably in this book.
Bujold continues to demonstrate that the supernova brilliance of "Mirror Dance" was not a fluke. Her style has matured since her earliest works, and is more consistent now. She is not as prolific as Asimov, as grounded in Science as Clarke, or as imaginative as Heinlein, but she is a better writer than any other, in this genre or outside it. It is her characterisation that defines her genius. Its like has not been seen for centuries.
As the latest book that I've read of Miles's adventures, perhaps it is a wee bit flat. Not very exciting overall. Read more
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