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In Memoriam, Ill Omen
 
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In Memoriam, Ill Omen

Pestilential Shadows
24 Aug. 2009 | Format: MP3

£6.32 (VAT included if applicable)
Buy the CD album for £8.39 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
4:24
30
2
5:44
30
3
6:26
30
4
7:07
30
5
5:52
30
6
5:13
30
7
3:53
30
8
5:33
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Product details

  • Original Release Date: 24 Aug. 2009
  • Label: Pulverised Records
  • Copyright: 2009 Pulverised Records
  • Total Length: 44:12
  • Genres:
  • ASIN: B002LLWDS8
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 548,101 in Albums (See Top 100 in Albums)

Customer Reviews

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Most Helpful Customer Reviews

1 of 1 people found the following review helpful By S on 27 July 2009
Format: Audio CD
Pestilential Shadows are a typical band in some senses of the word. The band are the epitome of the clichéd "evolutionary style". This means that the band began with firm roots that attached them to the iconic second wave lo-fi style and then, step-by-step, the sound gradually altered towards a more perfected, professional style that was audible on all fronts, not just one. With `Embrace After Death', Pestilential Shadows established themselves as an odd band who were seemingly influenced by the modern movement of depressive black metal, but with a productive style that draws our minds back to the Scandinavian second wave that embraced the lo-fi qualities that made their music sound far more aggressive, cold and dissonant. Sound quality has been the main difference between each of the recordings and whilst this is expected, given the fact that the band have now released three records with three different record labels - and that `Embrace After Death' was conceived several years before a record label even decided to hand it out to a wider public audience - the alterations have been drastic.

`Embrace After Death' was a throwback to the days of old, when Scandinavia had their hands on the black metal scene, with its showering of lo-fi qualities that turned it into a chaotic and cold masterpiece that portrayed the hellish qualities of the afterlife. `Cursed', on the other hand, was a step up from the debut in terms of sound quality but, perhaps ironically, the band lost a lot of appeal with a more professional sound. It was a more mature effort, but it lacked the drive and minimalistic vision that `Embrace After Death' showed us with its evil and wicked guitar and vocal combination.
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