This book is a very sad story about the selling of children into the sex trade.
Arthur Golden doesn’t dodge the essential points of the geisha business: the investors in human beings (‘education’, kimonos, make-up) want their money back with a profit and this end justifies all means (torture).
In this book, a big chunk of this investment is paid back by selling the geisha’s mizuage (her deflowering) for the colossal sum of more than a year’s earnings of a labourer.
Poor parents were forced to sell their daughters for sheer survival: ‘We become geisha because we have no other choice.’ A geisha’s life is governed by resignation and fatalism: ‘we viewed ourselves as pieces of clay that forever show the fingerprints of everyone who has touched them.’
The main goal of every geisha is to become a kept woman, the mistress of a wealthy man (her danna), for without a danna ‘a geisha is like a stray cat on the street without a master to feed it. ‘
But, ‘a geisha who expects understanding from her danna is like a mouse expecting sympathy from a snake. Geishas have to keep their true self concealed.’
The central issue is ‘sex for money’. The central member is a man’s ‘homeless eel’. Geishas are there to be ‘consumed’.
Of course, there is fierce competition between them. They all have to pay back their huge debts.
This book says also a lot about the Japanese society, where wealthy people pay a fortune for deflowering virgins, who are sold out of necessity by their poor parents.
Arthur Golden wrote a realistic and moving story using expertly thriller elements.
Not to be missed.
I also recommend highly the memoirs of a top geisha (Mineko Iwasaki’s ‘Geisha of Gion’) and of a ‘normal’ one (Sayo Masuda’s ‘Memoirs of a Geisha’).
For a more general view of the Japanese ‘water trade’, I recommend Nicholas Bornoff’s ‘Pink Samurai’, the works on Japan by Ian Buruma and the deeply moving document about child prostitution by Tomoko Yamazaki ‘Sandakan Brothel #8’.