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Memoirs of a Dada Drummer (Documents of Twentieth-Century Art)
 
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Memoirs of a Dada Drummer (Documents of Twentieth-Century Art) [Paperback]

Huelsenbeck
4.0 out of 5 stars  See all reviews (1 customer review)
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Customers buy this book with Flight Out of Time: A Dada Diary (Documents of Twentieth-Century Art) £19.95

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Product details

  • Paperback: 252 pages
  • Publisher: University of California Press; Reprint edition (1 July 1992)
  • Language English
  • ISBN-10: 0520073703
  • ISBN-13: 978-0520073708
  • Product Dimensions: 2.1 x 1.5 x 0.2 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 1,066,529 in Books (See Top 100 in Books)

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Richard Huelsenbeck
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Product Description

Review

"Indispensable for any library concerned with art, language, and theater in the early 20th century."--"Choice

Product Description

Huelsenbeck's memoirs bring to life the concerns--intellectual, artistic, and political--of the individuals involved in the Dada movement and document the controversies within the movement and in response to it.

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Format:Paperback
This is essential reading for anyone seriously interested in the progression of 20th century Art. Living in New York City late in his life, Richard Huelsenbeck - a seminal member of the original Dada group formed at Zurich's Cabaret Voltaire - looks back upon his role in Dada and Art (or rather"Anti-Art"), and tries to make some sense of it all. Though highly opinionated (especially in regards to the role of Tristan Tzara), he manages to objectively de-mystify much of the Dada legend and examine some of the human interactions and political and social motivations which sparked the birth of Dada. Low points include the incessant ¡°plugging¡± of his own work and his role in the birth of Dada, but this by no means overshadows his comments and observations about other ¡°Dadaists¡± or the importance of the movement as a whole.
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Richard Huelsenbeck's "Memoirs of a Dada Drummer" 23 Jan 2001
By A Customer - Published on Amazon.com
Format:Paperback
This is essential reading for anyone seriously interested in the progression of 20th century Art. Living in New York City late in his life, Richard Huelsenbeck - a seminal member of the original Dada group formed at Zurich's Cabaret Voltaire - looks back upon his role in Dada and Art (or rather"Anti-Art"), and tries to make some sense of it all. Though highly opinionated (especially in regards to the role of Tristan Tzara), he manages to objectively de-mystify much of the Dada legend and examine some of the human interactions and political and social motivations which sparked the birth of Dada. Low points include the incessant ¡°plugging¡± of his own work and his role in the birth of Dada, but this by no means overshadows his comments and observations about other ¡°Dadaists¡± or the importance of the movement as a whole.
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