Dinah Washington (1924-1963) was at once one of the most beloved and controversial singers of the mid-20th century -- beloved to her fans, devotees, and fellow singers; controversial to critics who still accuse her of selling out her art to commerce and bad taste. Her principal sin, apparently, was to cultivate a distinctive vocal style that was at home in all kinds of music, be it R&B, blues, jazz, middle of the road pop -- and she probably would have made a fine gospel or country singer had she the time. Hers was a gritty, salty, high-pitched voice, marked by absolute clarity of diction and clipped, bluesy phrasing. Washington's personal life was turbulent, with seven marriages behind her, and her interpretations showed it, for she displayed a tough, totally unsentimental, yet still gripping hold on the universal subject of lost love. She has had a huge influence on R&B and jazz singers who have followed in her wake, notably Nancy Wilson, Esther Phillips, and Diane Schuur. Dinah Washington's first solo recordings (with the exception of a session supervised by Lionel Hampton in 1943) are included on this repackaging of her Apollo sides. Recorded in Los Angeles during a three-day period, the 12 selections feature the singer with a swinging jazz combo that has tenor-saxophonist Lucky Thompson, trumpeter Karl George, vibraphonist Milt Jackson and bassist Charles Mingus among its eight members. The 21-year-old Washington was already quite distinctive at this early stage and easily handles the blues and jive material with colour and humor. Tracks: Mellow Mama Blues / All Or Nothing Blues / Rich Man's Blues / Chewin' Mama Blues / Blues For A Day / Wise Woman Blues / My Voot Is Really Vout / Pacific Coast Blues / Beggin' Mama Blues / Walking Blues / No Voot No Boot / My Lovin' Papa
I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it.