Rick Turner, founder of the fable Alembic Guitars Company, is a friend of Ry Cooder. He played him an album recorded by Vishwa Mohan Bhatt for Water Lily Acoustics. Bhatt is an Indian musician who conceived and plays an instrument called the "mohan vina" which, used with a metal slide, strongly recalls a slide guitar.
Cooder, a master of the latter instrument, was so moved by what he heard that he decided to meet Bhatt. Subsequently, both recorded this instrumental gem of an album.
The recording sessions were very loose and the music was entirely improvised.
The interplay between those two master musicians is such that, as the music progresses, Ry's guitar lines start bending their heads toward India while Vishwa's get bluesier. The two seemingly disparate guitars eventually embrace one another and intertwine until you can't tell where one leaves off and the other begins
The music is powerful yet tranquil and the vibe creates a whole universe of modal patterns. Complementing each other, Cooder and Bhatt lay out vast landscapes of sound that seem to transport you, upon listening, into another "musical zone."
Backed by the rhythm section of Sukhvinder Singh Namdhari (tabla) and Joachim Cooder (dumbek, bongo-like instrument), the two master slide guitarists converse in ancient melodies and weave a spell that begs for darkness and infinite repeat.
Moreover, thanks to the fine engineering, the recorded sound is flawless. This is one of the best-sounding acoustic guitar recordings that I have ever heard.
I want to tell you that "A Meeting by the River" is just flat-out astounding. It is, without a doubt, one of my three favourite Cooder albums. It fully deserves a place of choice in his many fans' library.