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37 of 38 people found the following review helpful:
5.0 out of 5 stars
MEDUSA is a winner!, 29 Aug 2003
This review is from: Medusa (Hardcover)
Michael Dibdin’s latest Italian mystery featuring Aurelio Zen is superb. This is his 9th in the Zen series and the best since ‘Dead Lagoon’ was published in 1994. In his past Zen thrillers, Dibdin set each novel in a different location in Italy, e.g. Umbria, Sardinia, Venice, Naples, and Sicily, to name a few. Other mystery series writers pick a single location, i.e., Donna Leon sets her Commissario Brunetti series in Venice and Magdalen Nabb’s Marshal Guarnaccia series is Florence-based. Well, MEDUSA is set in six different regions of Northern Italy. The plot centers around a body, buried for thirty years in a cave in the Dolomites; Zen works out of Rome, but lives in Lucca with his ladyfriend, Gemma from the last book; the main characters were associated with the military in the 1970s and now live in Milan, Verona, Campione (near Lugano) and a rural area near Pesaro in the Marche region. Inspector Zen is one busy guy traveling from place to place to solve this one. Zen works for the Polizia di Stato under the Interior Ministry, who are always in competition with the Carabinieri under the Defence Ministry. Dibdin does a great job of setting up this adversary situation to its fullest. Zen is trying to solve the mystery while the Carabinieri is trying to bury the facts from becoming public. This novel is very contemporary with many barbs directed toward Silvio Berlusconi and his current government. The plot is fast-moving and intriguing. In this one, Zen is all business and at his best, with his personal life taking a backseat, for a change. - by Carlo Vennarucci
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
One of the best Aurelio Zen mysteries, 17 Jan 2011
Michael Dibdin's Aurelio Zen series got a bit uneven towards the end but although this book is sandwiched between And Then You Die (Aurelio Zen 08) and Back to Bologna (Aurelio Zen 10) (in my opinion the two weakest books in the series) Medusa is one of the very best of the bunch.
The story is excellent, and certainly more complex and enjoyable than either of the books written either side of it, but what really marks this book out is the quality of the writing. Much of the book takes place in cold dank foggy landscapes and you can almost feel the fog around you as you read.
There are also a number of lines that have stayed with me over the many years since I first read the book - one of my favourites comes from a character who is out in a deserted rural landscape in the middle of the night. He remembers that as a child in the 1950s he would regularly cycle off around the country and if he hadn't got back home before dark he would simply sleep out under a tree and go home in the morning. He reflects that today that if a child hadn't returned by nightfall its parents would have the police out scouring the area looking for it and notes that in his youth "life was hard but safe, today it is soft but fearful."
I would also point out to anyone coming to Dibdin's work as a result of the BBC Zen series should note that Dibdin's Zen is a little more self-serving and ethically ambiguous than Rufus Sewell's. I really enjoyed the TV series but think it is fair to say that they are "based on" Dibdin's books rather than a totally faithful interpretation.
If you are new to the series I would add that, in my view, it didn't really hit its straps until the third book, Cabal (oddly this was the second episode in the TV version but it was the third book). If you wanted to pick out the best bits, rather than read the whole series I'd recommend Cabal (Zen), Dead Lagoon (Aurelio Zen 04), Cosi Fan Tutti (Aurelio Zen 05), A Long Finish (Aurelio Zen 06), Medusa and End Games (Aurelio Zen Mystery). It is worth reading them all but those six are, in my view, the best.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Michael Dibdin a new discovery, 19 Feb 2011
I don't think I would have found the Zen books if they had not been on TV. The stories demand your attention, they are not flimsy quick reads, but the tale is well planned, the working of the Italian police sufficiently explained, altogether a good read
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