- See all five formats of Bjork's Medulla.
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No instruments? No problem. Welcome human beatbox artists Schlomo, Rahzel (of The Roots) and Dokaka. And many tracks still have a distinctly electronic edge, helped along by Björk's longtime collaborator Mark 'LFO' Bell. Björk also has the most powerful instrument of all at her disposal - her voice.
Fans will feel at home with the opener, "The Pleasure is All Mine", with those familiar trademark wailings and some pleasant Vespertine-like harmonies courtesy of an Icelandic choir. Many songs have a minimalist feel, such as "Show Me Forgiveness" and "Submarine" which features Robert Wyatt. The Icelandic "Vökuró" and "Sonnets / Unrealities XI" are full-on choral numbers with an almost religious tone to them. "Desired Constellation" is one of the more effective slow tunes, with Björk warbling over a background of delicate digi-noise.
It's not all simplicity though. "Where is the Line" is a mish-mash of ideas, sounding like a fight between a choir and a rack of effects boxes, with neither winning. "Oceania" too, which opened the Athens Olympics, is spoilt by some overenthusiastic vocal whoopings. An Inuit throat singer called Tagaq is also brought into the mix, whose contributions range from unnerving ("The Pleasure Is All Mine") to downright horrid ("Ancestors").
This is not a radio-friendly album. There are no "It's Oh So Quiet" moments here. The only really immediate tunes are the enjoyable "Who Is It" and the closing track "Triumph of a Heart" (listen out for the rather splendid human trombone on that one).
Medúlla has some high points, and it never gets boring, but it still left me feeling rather confused. It was recorded in 18 different locations, and you can tell - the end product feels disjointed and at times claustrophobic. Whereas previous albums like Vespertine were real growers, some people may lose patience with this one. The unquenchable desire to try out new ideas, which makes Björk such an exciting artist, may prove to be her downfall on Medúlla, as too much of the experimentation doesn't quite hit the mark.
But I still can't wait for her next album. --David Hooper
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Mad album, almost completely instrument free with some great vocals from Bjork and the collaborators on the albumPublished 9 days ago by M. Guy
If you are an educated singer, you would like this album. If you aint... Don't buy this album!!! The vulcanic Bjork from Iceland likes to play with her voice. Read morePublished 4 months ago by Ole Nielsen /Denmark
This album has its greats and its not so greats. I particularily like, The pleasure is all mine, Submarine, Oceania, Mouth's Cradle, Triumph of a heart, desired constellation and... Read morePublished 23 months ago by Animal
Bjork delivered all the crazy creativity with the release of "Medulla". Album is out of any genre, all of songs recorded using only human vocalization, no musical instruments. Read morePublished on 10 Nov. 2012 by Artem
I ike this item my collections it is getting bogger thanks the one who sold me this record thanks hope there are more items like this thanksPublished on 28 April 2012 by GEORGE
Bjork's Debut is one of only a few albums that I can remember exactly where I was when I heard it for the first time. Read morePublished on 31 Dec. 2010 by Troughtastic
I've had this on mp3 for just over a year and throughly enjoy the album as a whole, maybe its a tad long but hey nobody's perfect. Read morePublished on 26 Sept. 2010 by Sam
I already had the previous albums Debut, Post, Homogenic and Vespertine, and had read descriptions of Medulla so had some idea what to expect: a capella and a change from... Read morePublished on 24 Sept. 2010 by Ivon of Windermere
Ever since 1997's Homogenic fairly shattered the common public image of her as an unusual, jovial sort of Icelandic pop pixie, Björk followed her artistic muse wherever it... Read morePublished on 2 Sept. 2010 by M.B.