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Pink Floyd Skins for Smartphones
If you're a fan of Pink Floyd you'll love our great selection of Pink Floyd skins for smartphones. |
Product details
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| 1. One Of These Days |
| 2. A Pillow Of Winds |
| 3. Fearless |
| 4. San Tropez |
| 5. Seamus |
| 6. Echoes |
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Most Helpful Customer Reviews
40 of 41 people found the following review helpful:
5.0 out of 5 stars
Stand in the fireplace, between the speakers ... go on!,
By Sally-Anne "mynameissally" (Leicestershire, United Kingdom) - See all my reviews
This review is from: Meddle (Audio CD)
First I bought this album on 8-track (that would have been about 1972 or 73), then LP, then cassette, now CD. I must like it. First time I heard it my friend Kathy grabbed me by the elbow as I walked past her room and said stand there, in the fireplace, between the speakers and listen to this. It was "One of These Days". It was loud enough to cause brain damage. I'm still a bit deaf and never came out of the altered state. It was just (excuse the expression) mind-blowing. We were too primitive back then to own a set of head phones so the experience of the jet of sound squirting right through the middle of my head, from one ear to the other then back again, was like a new revelation - the sort of thing that hippies were guzzling all sorts of expensive substances in order to achieve. Then some creep said he was going to cut me into little pieces. Unusual lyrics too and a far from sensual singing voice, as befits a psycho. Never heard the like before!"One of These Days" was enough on its own to sell the album to me. But every number was a shiny gem (varying degrees of brightness). It's been a star in my music collection for 3 decades. It's music like this that slows the onset of old age (or at least maturity in my case). Even my dogs like it. One of them likes to howl along with Seamus. This is special. If you haven't heard it, you should seek it out and discover that it's something you wouldn't have wanted to miss.
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Just My Review.....,
By musiclover@my.ismart.net (HK, 29/05/2001) - See all my reviews
This review is from: Meddle (Audio CD)
Atom Heart Mother, for all its glories, was an acquired taste, and Pink Floyd wisely decided to trim back its orchestral excesses for its follow-up, Meddle. Opening with a deliberately surging "One of These Days," Meddle spends most of its time with sonic textures and elongated compositions, most notably on its epic closer "Echoes." If there aren't pop songs in the classic sense (even on the level of the group's contributions to Ummagumma), there is a uniform tone, ranging from the pastoral "A Pillow of Winds" to "Fearless," with its insistent refrain hinting at latter-day Floyd. Pink Floyd were nothing if not masters of texture, and Meddle is one of their greatest excursions into little details, pointing the way to the measured brilliance of Dark Side of the Moon and the entire Roger Waters era. Here, David Gilmour exerts a slightly larger influence, at least based on lead vocals, but it's not all sweetness and light - even if its lilting rhythms are welcome, "San Tropez" feels out of place with the rest of Meddle. Still, the album is one of the Floyd's most consistent explorations of mood, especially from their time at Harvest, and it stands as the strongest record they released between Syd's departure and Dark Side.
16 of 17 people found the following review helpful:
5.0 out of 5 stars
A pure classic.,
By A Customer
This review is from: Meddle (Audio CD)
Meddle came after 'Atom Heart Mother' and showed Pink Floyd in a whole new light. Rather than being a reinvention of themselves Meddle shows another side to the four members, with an overall laid-back jazzy feel coming through. The opening number 'One of these days...' has become a standard and is way ahead of its time. The numbers that follow it up to 'Seamus' take the beat and slow it down to a toe-tapping rythmn, lulling the listener into a false sense of security. 'Echoes', the major track on the album at around 22 minutes long, has become a revered member of the Pink Floyd canon, and justly so. Opening with a single note from Rick Wright which sets the scene the song progresses into darker territory via Dave Gilmours almost violent crashing of chords into the eeiry wind-swept gothic towers of the middle section. Rick Wright once more brings light into the piece before the whole thing is rounded off in an almost fin de cycle.A TRUE MASTERPIECE.
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