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McCann's writing is rich in detail and colour--the muck and mud of battlefields, London's crowded stench, and the colonists' back-breaking work on the land; she manoeuvres her large cast of characters adeptly, and her dialogue is nicely pithy. The flaw that blights the plot is a yawning gap of credibility: Jacob's acts of violence--the murder, the rape and much more--which occur almost out of the blue simply don't fit his persona. His motives are too thin; nor is he presented as an unbridled brute masquerading as sanity itself. So how are we to "read" him? Even Ferris's accusation--"A man's own evil is his devil and yours, Jacob, is mastery"--suggests too little and comes too late. Jacob's pivotal place in the narrative is discredited by the lack of psychic underpinning and this mars an otherwise robust debut. --Ruth Petrie --This text refers to an out of print or unavailable edition of this title.
‘A fat, juicy masterpiece. Jacob, who destroys what he loves with the rapacity of his desire, is as compelling as he is appalling…Most impressively, the writing here is flawless. These pages flow like claret.’ Economist
‘Early in the English Civil War, a body is dredged from the pond of a Royalist estate. “As Meat Loves Salt” is the testament of Jacob Cullen – homicide and fugitive. Obsessed with the graceful Christopher Ferris, he follows him to become a London printer, a Digger and, finally, an emigrant to the New World…An electrifying erotic thriller, rich in secrets and surprises.’ Independent
‘A novel teeming with life…a triumphant piece of historical evocation. McCann’s unflinching descriptions of battle are matched by the power of her depiction of London in all its fetid splendour. And in the character of Jacob himself, a strong but selfish man weakened by a violent temper and haunted by guilty dreams, McCann shows the imaginative empathy that is the hallmark of a true novelist.’ Vogue
‘A true delight, vivid, well written and, best of all, accessible…Maria McCann’s characters leap off the page and speak in contemporary voices that entirely convince.’ Daily Express
‘An intriguing and disturbing first novel which lingers in the mind…Tense with anguish, intimacy and shame, it imaginatively re-creates the mentality of a society racked by war and intoxicated by radical new ideas of freedom and change.’ TLS
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That the author did her homework on the period in history is obvious. It is helpful to keep one of those electronic dictionaries handy to look up unfamiliar (to Americans) words like "lief", "syllabub", "hustling".
Count me in as a fan of the unlikeable Jacob Cullens and an admirer of the first-time author, Maria McCann. She has written a masterpiece.
Excuse me as I go for second helpings of As Meat Loves Salt.
Sound terrible? Well, it was, but in the best kind of way. I suffered through everything with Jacob Cullen, Maria McCann's fascinating narrator. Jacob is somewhat schizophrenic and completely obsessed with violence, but like most people he has his own (flawed) reasons for what he does. He doesn't hate himself, so in seeing everything from his perspective it becomes difficult to hate him for his actions. One also becomes aware of every possibility he has to improve himself and his life. Christopher Ferris, Jacob's lover, is the kind of person and man or woman could (and does) fall for, passionately. This makes it all the more horrifying to be trapped in Jacob's mind as he watches everything good in his life come to ruin. The ending, as gut-wrenching as it is, seems inevitable given that it's brought on by Jacob and Ferris both being true to who they are. There's no escape.
So much could have gone wrong in the craft of this book. Not only is there the difficulty of narrating from Jacob's point of view (the mystery that is Jacob is dribbled out in the smallest hints, dreams or passing thoughts, never given out too quickly), but also the story stretches from a manor house to London to the common fields, and it's all covered in compelling detail. The language, too, never falters in successfully blending 17th-century and modern. The underlying motif of hellfire/desire could come across as overused, but in the circumstances it's the right metaphor.
When I first finished this novel, it was a year ago. I never thought I could go through reading it again. But a few days ago I picked it up and found myself just as compelled as the first time. This book has it all - full characters, mystery, eroticism, tragedy, detailed history and a sweeping insight into human existence. I couldn't recommend it more highly.
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