Me Talk Pretty One Day (Paperback)

Though his anarchic inclination to digress is his glory, Sedaris does have a theme in these reminiscences: the inability of humans to communicate. The title is his rendition in transliterated English of how he and his fellow students of French in Paris mangle the Gallic language. In the essay "Jesus Shaves", he and his classmates from many nations try to convey the concept of Easter to a Moroccan Muslim. "It is a party for the little boy of God", says one. "Then he be die one day on two... morsels of... lumber", says another. Sedaris muses on the disputes between his Protestant mother and his father, a Greek Orthodox man whose Easter fell on a different day. Other essays explicate his deep kinship with his eccentric mother and absurd alienation from his IBM-exec dad: "To me, the greatest mystery of science continues to be that a man could father six children who shared absolutely none of his interests".

Every glimpse we get of Sedaris's family and acquaintances delivers laughs and insights. He thwarts his North Carolina speech therapist ("for whom the word pen had two syllables") by cleverly avoiding all words with "s" sounds, which reveal the lisp she sought to correct. His midget guitar teacher, Mister Mancini, is unaware that Sedaris doesn't share his obsession with breasts, and sings "Light My Fire" all wrong--"as if he were a Webelo scout demanding a match". As a remarkably unqualified teacher at the Art Institute of Chicago, Sedaris had his class watch soap operas and assign "guessays" on what would happen in the next day's episode. It all adds up to the most distinctively skewed autobiography since Spalding Gray's Swimming to Cambodia. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.

Product Description
Anyone that has read NAKED and BARREL FEVER, or heard David Sedaris speaking live or on the radio will tell you that a new collection from him is cause for jubilation. His recent move to Paris from New York inspired these hilarious new pieces, including 'Me Talk Pretty One Day', about his attempts to learn French from a sadistic teacher who declares that 'every day spent with you is like having a caesarean section'. His family is another inspiration. 'You Can't Kill the Rooster' is a portrait of his brother, who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers of food and cashiers with six-inch fingernails. Hilarious, sharply perceptive and surpassing all national boundaries of humour, ME TALK PRETTY ONE DAY is a compelling introduction or a very welcome return to David Sedaris - compared by The New Yorker to Twain and Hawthorne - who has taken America and Europe by storm. --This text refers to an out of print or unavailable edition of this title.

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