- Paperback: 386 pages
- Publisher: University of Chicago Press; 2nd edition (1 May 1994)
- Language English
- ISBN-10: 0226711226
- ISBN-13: 978-0226711225
- Product Dimensions: 2.3 x 1.5 x 0.3 cm
- Amazon Bestsellers Rank: 1,143,786 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Description
Product Description
This ethnography documents and interprets the history of folk music, song and dance in Bulgaria over a 70-year period of dramatic change. From 1920 to 1989, Bulgaria changed from a nearly medieval village society to a Stalinist-planned industrial economy to a mix of capitalist and socialist markets and cultures. In the context of this history, Rice brings Bulgarian folk music to life by focusing on the biography of the Varimezov family, including the musician Kostadin and his wife Todora, a singer. Combining interviews with his own experiences of learning how to play, sing and dance Bulgarian folk music, Rice presents a detailed account of traditional, aural learning processes in the ethnomusicological literature. Using a combination of traditionally dichotomous musicological and ethnographic approaches, Rice tells the story of how individual musicians learned their tradition, how they lived it during the pre-Communist era of family farming, how the tradition changed with industrialization brought under Communism, and finally, how it flourished and evolved in the recent, unstable political climate. This work - complete with a compact disc and musical examples - contributes not only to ethnomusicological theory and method, but also to our understanding of Slavic folklore, Eastern European anthropology and cultural processes in Socialist states.
About the Author
Timothy Rice is department chair in ethnomusicology at the University of California, Los Angeles, and a founding co-editor of the Garland Encyclopedia of World Music.
Inside This Book
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First Sentence
My desire to write a book musical experience flows from a set of personal circumstances that, while unique in detail, are probably widely shared by music scholars. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
My desire to write a book musical experience flows from a set of personal circumstances that, while unique in detail, are probably widely shared by music scholars. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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2 reviews
4 of 4 people found the following review helpful
Read this book!
18 Oct 1997
Format:Paperback
If you have the slightest interest in music, Eastern Europe in transition, and intellectual thought, then you owe it to yourself to read this book. Proper obeisance is made to the academic gods - Ricoeur, Clifford, Bourdieu, Geertz, Gadamer and the rest - and the references are sincere and thoughtful. But most of all you will be enthralled by Rice's personal account of his discovery of Bulgarian music, and of the lives of a wonderful couple who perform that music and became not just his 'informants' but his friends, indeed his family. The book is personal, revelatory, and stimulating. If only all musical scholarship were this good!
2 of 2 people found the following review helpful
Great writing
25 July 2000
Format:Paperback
Rice makes reading an ethnography a pleasure. All ethnomusicologists seeking to undertake their own writing project ought to read this book first. His accounts about studying with Kostadin make you feel like you were there learning the gaida, too. Rice's model makes a good case for learning an instrument while conducting fieldwork. Particulary insightful is the author's interpretation of the emic/etic distinction as it relates to the ethnomusicologist.
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