Maus: My Father Bleeds History v. 1: A Survivor's Tale (Paperback)

Vladek Spiegelman was a Jewish survivor of Hitler's Holocaust and "Maus" is about the attempt of his son, a cartoonist, to come to terms with not only his father in Rego Park, New York, but the terrible things that happened to his father in Poland in this first half of the tale, "My Father Bleeds History." This proves not to be rhetorical hyperbole, because Vladek's past becomes almost omnipresent as he tells his story to his son. Almost as important, the suicide of Artie's mother comes into play as well, for ultimately in this story, as in life, everything is related.

Tragically, as Vladek reveals more of the events that irrevocably altered not only his own life but that of his son, Artie is repelled rather than drawn closer to his father and the gulf between then becomes clearer. Knowledge, which should bring insight and understanding, fails and creates only bitterness. However, you must remember this is but the first half of the story, which concludes in "And Here My Troubles Began."

What makes "Maus" remarkable is not that it is a "comic book," what the "New York Times" called "an epic story told in tiny pictures," but that it is a very intimate story about someone who survived the Holocaust. The body might survive the concentration camp, but "Maus" is about what happens to the mind, the heart and the soul.

I first read this book as a teenager, and would highly recommend it to people of any age. Over the years, I have re-read it frequently and shared it with friends of all ages. All have taken much from Spiegelman's tale.

A few notes must be made in response to the 10/26/97 comment posted below by a reviewer from Ontario, Canada. It is quite clear that this reviewer did not, in fact, read the book. (S)he mistakenly attacks Spiegelman for portraying the Poles as rats, and wonders if he would be offended if a book were written portraying Jews as rats. Anyone who took the time to read Maus (or merely to examine it's cover!) would know that it is, in fact, the Jewish people who are portrayed as mice/rats, whereas the Poles are portrayed not as vermin, but rather as pigs.

In fact, far from a "vicious" attack against Poles, there are many acts of kindness by Polish people portrayed in the book. Certainly there is unkindness as well, but how can the reviewer forget that this is a factual account of Vladek Spiegelman's life, told from his perspective. If unkind acts by Polish people are a part of that life, then they should be in the book.

Finally, the reviewer in question inelegantly raises a point of some merit, though it is one that is only tangentially related to Spiegelman's work. The Polish people did, in fact, suffer horribly at the hands of both Nazis and Soviets alike. Their death toll in the concentration camps numbered in the millions, and should never be forgotten or omitted when discussing the Holocaust. This book, however, is about Vladek Spiegelman, and so surely it cannot be assailed for its focus on events from his perspective.

Spiegelman's fidelity to his father's! story is to be admired, not attacked. And certainly not by a reviewer who could not be bothered to read the book.

This is harrowing and incredible, but very real and present and with very human, flawed characters that hit home beyond what a film or a book can do for a wide range of audience types. The illustrations aid the narrative, placing soft, engaging images and dark atmosphere into a bleak tale....It seems a very 'neat' story in places, but perhaps there is some memory allowance here. It's another important piece of historic interpretation.