A page-turning, psychological exploration,with the feel of a sprawling family epic in a spare 290 pages. Tilghman crafts insightful and absorbing portraits of an array of disparate characters to tell the story of Edward and Edith Mason, who return to America at the end of the Depression with their two sons after years living in England, and the musty Victorian atmosphere of both their family relationships and the expectations of their place in the world are a potent ingredient. Their fading pretentions of British class-superiority there have been devastated by bad business decisions and they have been forced to move to the yet-unseen Mason manse, the Retreat, on the Eastern shore of Chesapeake Bay. Set in the two years leading up to the outbreak of World War II, the tensions among the four Mason family members ripple throughout their community, to include friends, lovers, and most strikingly, to their employees, including two black housekeepers and the farmhand Robert, whose racial situation in the Depression-era, rural South is rendered to clear-headed, stunning effect in many of the book's scenes.
The assured writing and psychological surprises reminded me of Thomas Mallon's "Henry and Clara", and the gathering sense of doom and inexorable tragedy, mirrored in the offstage story of Europe in 1939 reminded me again and again of Ian McEwan's "Atonement", highest of praise from me.