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Product Description
Masks exert a powerful fascination. A masked person, whether an actor or a participant in a rite or religious ceremony, is a person transformed - in many senses. Masking raises questions of identity and possession, reality and artifice, the natural and the supernatural. Masking is a near-universal phenomenon, but the uses and meaning of masks and masquerade has varied greatly between cultures. This book studies eight principal areas: Africa, Oceania, Latin America, the Northwest coast of America, Japan, Classical Greece and Rome, Egypt and Europe. The disparate masking traditions of these cultures are discussed, but the main emphasis of the book is always on the masks themselves. Many of the masks are objects of beauty, but decoration is seldom their major function. The golden funerary masks of Ancient Egypt - that of Tutankhamun being the most well-known - were intended to equip the dead with divine power and attributes. Aztec codices frequently depict gods, or their priestly impersonators, wearing face paint or masks which serve to identify the divine being. Disguise or concealment is not necessarily the purpose of masks either. In classical antiquity, masks worn in the drama actually assisted the actors' portrayals by displaying particular characteristics which the audience could interpret. In ritual and religious use, as today in Africa or Oceania, mask-wearers may be thought to be possessed by, and therefore to become, a spirit or god. It is not a performance: the mask is the spirit. Masks are often associated with rites of passage - birth, death and initiation - in which complex issues of transformation and identity are raised. Often made of wood, masks may also be constructed from precious metals, cloth, bark, basketry, papier mache, leaves, feathers and other perishable materials. Many are intended to survive permanently; others are made only for temporary use and, indeed, may be considered too dangerous to keep. It is this great variety and richness, both of masks and of masking traditions, which is brought out in this survey and in the accompanying 155 colour photographs.
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9 of 9 people found the following review helpful
Format:Hardcover
This book was very easy to read. The first section contains a part about the terminology of masks. The book contains sections describing masks in 8 different areas of the world and it describes the masks themselves, how they are made and what they are made from as well as giving details of the traditions, for example rituals, associated with the masks. There were rarely 2 pages without a photo. Photos are striking and clear against a plain background. My only criticism is that some of the photos are not located correctly / ideally within the text, for example in the text it said figure 56 was said to be located to the right but it was actually back on the previous page. I read every word from cover to cover but for someone just flicking through perhaps and spotting a photo / figure they'd like to read more about in the main text, it is hard to locate the main text associated with the photos / figures, although explanatory text under the photos/ figures themselves was good.
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