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Maskerade: A Discworld Novel: 18 Mass Market Paperback – 7 Nov 1996


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Maskerade: A Discworld Novel: 18 + Interesting Times: A Discworld Novel: 17 + Feet Of Clay: (Discworld Novel 19) (Discworld Novels)
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Product details

  • Mass Market Paperback: 384 pages
  • Publisher: Corgi; New Ed edition (7 Nov. 1996)
  • Language: English
  • ISBN-10: 0552142360
  • ISBN-13: 978-0552142366
  • Product Dimensions: 10.6 x 2.4 x 17.7 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (92 customer reviews)
  • Amazon Bestsellers Rank: 9,290 in Books (See Top 100 in Books)

More About the Author

Terry Pratchett is the acclaimed creator of the global bestselling Discworld series, the first of which, The Colour of Magic, was published in 1983. In all, he is the author of fifty bestselling books. His novels have been widely adapted for stage and screen, and he is the winner of multiple prizes, including the Carnegie Medal, as well as being awarded a knighthood for services to literature. Worldwide sales of his books now stand at 70 million, and they have been translated into thirty-seven languages.

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Product Description

Amazon Review

There are strange goings-on at the Opera House in Ankh-Morpork. A ghost in a white mask is murdering, well, quite a lot of people, and two witches (it really isn't wise to call them "meddling, interfering old baggages"), or perhaps three, take a hand in unravelling the mystery. Fans of the popular Discworld series will be happy to see some old friends again in Maskerade, the 18th novel in the series.

Review

"'Pratchett is as funny as Wodehouse and as witty as Waugh'" (Independent)

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Customer Reviews

4.7 out of 5 stars

Most Helpful Customer Reviews

14 of 14 people found the following review helpful By Ms. H. Sinton on 10 Dec. 2005
Format: Audio CD
Maskerade is a take on the Gaston Leroux story ‘Phantom of the Opera’. In the opera house of Ankh-Morpork dastardly deeds are afoot. Christine, the blonde Prima Donna who cannot sing, is being ‘courted’ and taught by the opera ghost. What he doesn’t realise is the real star is really one Agnes Nitt, (also known as Perdita X). She is the voice that Christine mimes to. Agnes's talent includes being able to sing in thirds with herself…she also, unbeknown to herself, has a talent for witchcraft.
Lancres famous witches, Granny Weatherwax and Nanny Ogg are on the hunt for a third witch for their coven since Magrat Garlick very inconsiderately left them to marry the King. After all, everyone knows there has to be three witches…two just won’t do. So, Granny and Nanny take a trip to Ankh-Morpork for a night at the opera and to press gang Agnes back to Lancre. In true Terry Pratchett style, mayhem and madness follow. Death makes his appearance as does the Death of Rats, and Greebo, Nanny’s evil but hilarious cat will have you rolling on the floor laughing.
This audio book is an abridged version of Maskerade, but has been so skilfully edited that it seems complete. Having read the book I can say I didn’t notice any obvious omissions. Tony Robinson (best known as Baldrick in Blackadder) was a perfect choice to narrate this book; he injects the right amount of humour and his ‘voices’ for each character are spot on. This is a truly funny tale and well worth every penny.
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9 of 9 people found the following review helpful By Stephen A. Haines HALL OF FAME on 4 Dec. 2005
Format: Mass Market Paperback
Pratchett has an outstanding capacity to research a topic, then present his findings with peerless clarity and wit. This book presents so many aspects of theatre production, operatic lore and, amazingly, book publication they're nearly overwhelming. His prose and humour leave us breathless with mirth and astonishment. Still, one has to wonder what motivated the writing of Maskarade. It's a departure from previous Discworld efforts.
Magrat Garlick's married and out of the coven. This imbalance must be restored. Her potential replacement is a new Pratchett character, Agnes Nitt. Agnes, however, has a different career in mind. She wants to be a diva in the opera troupe in Ankh-Morpork. A lofty ambition, indeed. And a voice lofty enough to project throughout the hall - right up to the loft, in fact.
As always, the opera business is fraught with problems. Underpaid [and underfed] choir girls, prima donnas who consider their voice grander than its quality justifies, eccentric crew, and the ever present issue of money. Oh yes, and there's a ghost - with a reserved box seat.
If the Ankh-Morpork's opera team wasn't having enough to deal with, they are about to be confronted with the remnants of Lancre's witches' coven, Esme Weatherwax and Gytha Ogg. Nanny Ogg's become the Julia Childs of the Ramtops, but with variations on a particular theme. She's published a book about it, but Granny Weatherwax isn't convinced the payment justified. Esme Weatherwax as an author's agent is a formidable figure. As if this transformation wasn't enough, she also becomes a patron of opera.
Pratchett's gone slightly awry from his usual path with this book. He raises a host of pretty serious questions with the characters and the plot.
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7 of 7 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWER on 28 April 2008
Format: Paperback
Terry Pratchett's satirical eye doesn't spare anybody or anything, and in his nineteenth Discworld book "Maskerade," it's opera's turn to suffer. In his typically barbed prose, he gleefully spoofs the "Phantom of the Opera," lampoons opera in general, and takes the opportunity to take everyone's favorite witches out to Ankh-Morpork.

Magrat Garlick is newly married and crowned. As a result, Granny Weatherwax is moody and bored, while Nanny pens an erotic cookbook -- and when it turns out that she's being cheated of royalties, Granny decides to go to Ankh-Morpork and confront her publisher. Meanwhile, the primary witch-maiden candidate, Agnes Nitt, has also gone to Ankh-Morpork to become an opera singer.

But the opera isn't all it's cracked up to be -- Agnes finds herself providing the voice for pretty, airheaded Christine, and the opera ghost is causing some major disasters. Granny and Nanny immerse themselves in the backstage -- and onstage -- drama of the opera, trying to figure out who the Phantom is... and why he's a friend one minute and a foe the next.

It's obvious that the opera holds no awe for Pratchett. Sure, the novel is a spoof of Gaston Leroux's novel, but Pratchett's real intention here is to constantly make fun of the opera, both as entertainment and art form. The entire climax of the book is devoted to making fun of opera's illogic, lack of acting, and such time-honored traditions as a dying person flawlessly singing for about fifteen minutes before expiring.

But it's not all opera spoofery. Despite some grisly deaths and the psycho Phantom (who sends notes filled with maniacal laughter), getting the witches out of Lancre gives the whole story a light, fun feel.
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