Amazon.co.uk Review
Rather than succumbing to what would have seemed a timely death, the increasingly "floppy"
Martin Guerre was hurried out of London in the summer of 1998 and totally pulled apart, this time not by canine critics, but by the producers themselves. Among the creative risks--there were always the financial ones--was displacing the brand new cast in Leeds for months, exposing a startled ensemble to devising and improvisation work on an unprecedented scale. The music also suffered some serious weight loss--the
Martin Guerre pit orchestra, once the largest in the West End, was trimmed till it fitted into a pair of medium flight cases--a handful of instrumentalists serving as icing for the staple portions of programmed keyboard arrangements. The rigorous exercise programme paid off. Emerging from the West Yorkshire "operating theatre" was a slim, but gripping story, powerful at its core and hard hitting in its bare form, with exceptionally strong ensemble singing as a prime characteristic. As usual Schönberg delivers in the field of orchestration, though Boubil's libretto is still riddled with the familiar clangers. Obviously the reformists never dared to stray far from the narrow path of rigorous rhyme schemes that repeatedly turn the deepest existential trauma into a mere platitude. Recorded partly in the studio, partly whilst on the road, this 1999 cast recording features a handful of strong, believable soloists and tight ensemble pieces sizzling with energy.
--Yngvil V.G.