Imitating the format of DG's earlier collection of Argerich's complete solo albums, here in crhonological order from 1967 to 2004 we get her concerto recordings. All are self-recommending to her legion of fans and highly recommended by critics, which poses a problem for many collectors. I already own all but a handful, so even DG's bargain price isn't all that tempting. The duplications consist of the Ravel Concerto in G (both versions are about eqaul, the later one iwth the London Sym. has more vivid, forward sound), the Beethoven Concerto no. 2 (I prefer the earlier one with Sinopoli over the chamber-sized, quasi-period version with Abbado), and the Tchaikovsky First (Abbado and Berlin hands down for orchestral execution and more fire from Argerich).
But the tale isn't that simple, either, since Argerich has also duplicated some of these pieces on other labels. There's a recent Shostakovich First on EMI that is heavier and almost grave compared to the earlier one. Both of her other Schumann concertos, on EMI and Teldec, seem more energized and sympathetic than the one here, where Rostropovich's accompaniment is a bit clumsy. The third vesion of the Tchaikovsky First with Chailly on Philips, coupled with the Rachmaninov Third, is a barn buner of a live performance. Among the commerical rcordings I also wouldn't be without her Prokofiev First on EMI, or both Chopin concertos with Dutoit on the same label, and then one can delve into pirate labels, who offer extensive additions.
I may have muddied the waters more than cleared them, so here's a lineup of what this box set contains:
Beethoven:
Piano Concerto No. 1 in C Major, Op. 15
Philharmonia Orchestra, Giuseppe Sinopoli
Piano Concerto No. 2 in B flat major, Op. 19
Philharmonia Orchestra & Philharmonia Hungarica, Giuseppe Sinopoli
Piano Concerto No. 3 in C minor, Op. 37
Mahler Chamber Orchestra, Claudio Abbado
Piano Concerto No. 2 in B flat major, Op. 19
Mahler Chamber Orchestra, Claudio Abbado
Chopin:
Piano Concerto No. 1 in E minor, Op. 11
London Symphony Orchestra, Claudio Abbado
Piano Concerto No. 2 in F minor, Op. 21
National Symphony Orchestra Washington, Mstislav Rostropovich
Haydn:
Piano Concerto No. 11 in D major, HobXVIII:11
Württembergisches Kammerorchester Heilbronn, Jörg Faerber
Liszt:
Piano Concerto No. 1 in E flat major, S124
London Symphony Orchestra, Claudio Abbado
Mendelssohn:
Concerto in D minor for Violin, Piano and String Orchestra
Gidon Kremer (violin)
Orpheus Chamber Orchestra
Prokofiev:
Piano Concerto No. 3 in C major, Op. 26
Berliner Philharmoniker, Claudio Abbado
Ravel:
Piano Concerto in G major
Berliner Philharmoniker, Claudio Abbado
Piano Concerto in G major
London Symphony Orchestra, Claudio Abbado
Schumann:
Piano Concerto in A minor, Op. 54
National Symphony Orchestra Washington, Mstislav Rostropovich
Shostakovich:
Piano Concerto No. 1 in C minor for piano, trumpet & strings, Op. 35
Guy Touvron
Württembergisches Kammerorchester Heilbronn, Jörg Faerber
Tchaikovsky:
Piano Concerto No. 1 in B flat minor, Op. 23
Royal Philharmonic Orchestra, Charles Dutoit
Piano Concerto No. 1 in B flat minor, Op. 23
Berliner Philharmoniker, Claudio Abbado
As you can see, nothing is off the beaten path except for the Mendelssohn with Gidon Kremer, not exactly a masterpiece. I've seen quibles about Argerich's Haydn concerto, which I thought was sparkling and brilliant. I wish she was as imaginative and charming in her early Beethoven concertos, but others will disagree. In any event, this second catch-all contains first-rate pianism from first to last, so the only question is how much of it you already own.