If you happen to look up reviewers' critiques of the film Quills [...] then you'll quickly see just what extremes the mere mention of the name of the Marquis de Sade drives people to, even within the context of a highly fictionalised celluloid account of his final days.
It is to Neil Schaeffer's enormous credit that The Marquis de Sade: A Life, takes not only a more balanced view, but, indeed, restores the Marquis to the position of fascinating and complex historical figure that he most surely is.
Schaeffer does not duck the details of de Sade's sexual adventures or, more importantly, his pornographic writings - although it becomes a little wearing to read his pseudo-Freudian explanations of the man who (unwittingly) gave his name to sadism, particularly since, as he points out, most of de Sade's "perversions," including erotic flagellation, were hardly new at the time.
He does raise the point that much of his literary output could well have been aimed at satirising the political figures and situation of his day... pornography as a political weapon is not a new concept.
But what does come through clearly, however, is that de Sade's main "crime," in the eyes of the establishment, was his blasphemy and constant challenges to church and state. His disproportionate incarceration - some 29 years throughout his life - was primarily a result of this and, indeed, his own family's displeasure with such a refusal to compromise his own philosophical beliefs in the name of safe conformity.
Schaeffer presents his subject within a superbly well drawn historical setting and paints a man that we would do well to learn from. A fascinating insight into a complex and angry himan being who, whatever one thinks of his ideas, had the courage to stick by them in the face of massive oppression.