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Maroon
 
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Maroon

Webb Brothers Audio CD
4.7 out of 5 stars  See all reviews (6 customer reviews)
Price: £9.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (11 Sep 2000)
  • Number of Discs: 1
  • Label: Wea
  • ASIN: B00004Y58Z
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 105,210 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. The Liars Club (Album Version) 3:47£0.69
Listen  2. I Can't Believe You're Gone 3:48£0.69
Listen  3. All The Cocaine In The World 1:36£0.69
Listen  4. Summer People 4:01£0.69
Listen  5. Low Grade Fever 3:30£0.69
Listen  6. Marooned 3:33£0.69
Listen  7. Intermission 1:17£0.69
Listen  8. Fluorescent Lights 3:18£0.69
Listen  9. In A Fashion 3:36£0.69
Listen10. Suddenly Awake 3:46£0.69
Listen11. Powder Pale 3:47£0.69
Listen12. Are You Happy Now? 3:09£0.69
Listen13. Sleep If You Can 4:27£0.69


Product Description

Amazon.co.uk Review

The next step on from Beyond The Biosphere--the self-financed debut album that brought brothers Christian and Justin Webb major label attention and press and public plaudits--Maroon is a relic of a bygone era when songs, not production tricks, were king and melodies and words had more purpose than being just a pretty tune and something to sing-along with it. The chugging pianos of "I Can't Believe You're Gone", the deadbeat guitars and self-depreciating lyrics of "The Liar's Club" and the sombre lament "All The Cocaine In The World", belong to some American road movie, capturing the fears, realisations and emotional turmoil of life. Sounds dour and depressing, but like Elliott Smith--that other great exponent of the human condition and good, old-fashion American songwriting--their melodies are too captivating and laced with too much deadpan humour to demoralise. For every sedate song, there's a rousing chorus, a samba intermission or a stirring crescendo to lift the spirits. All under-utilised composer's tricks that point to The Webb Brothers not being of this generation, but a much-missed time that's well overdue a revival. --Dan Gennoe

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Customer Reviews

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Most Helpful Customer Reviews
5 of 5 people found the following review helpful
By A Customer
Format:Audio CD
It is a simple fact that not many people own this album.

And it another simple fact that it is a quite brilliant piece of work. Split into two halves of six tracks apiece by the fairground instrumental 'Intermission', Maroon maintains a remarkably consistent quality of tune. Opening up with a couple of absolute crackers, you would expect it tail off. Let's face it, most albums do. But - thrillingly - it doesn't.

The lyrics of 'Liar's Club' betray a devastatingly acerbic critique of the phoney social mores of the modern male. And they're welded to a blinding melody - result!
Hard on its heels comes 'I Can't Believe You're Gone', a textbook example of a single that really "should have been massive". It wasn't of course, but that's because less than 1% of the record buying public have heard of The Webb Brothers.

This is a very woozy record. It's seeped in paranoia, comedown, elation. To invent a phrase rather than coin one, it is 'musique verite'. It feels real, although it sometimes depicts a reality that you can only imagine, but you know does exist. Pretty young things OD-ing in LA mansions (Powder Pale). Other times, it talks of a reality that you can identify with quite easily (Sleep if You Can, Flourescent Lights).

And the boys certainly know their way around a tune. There's plenty on here that the proverbial postman could whistle. Essentially, this is a pop album, albeit a pop album with non-pop lyrics. This is particularly handy for people who like listening to their favourite music in order to show their appreciation of it, as opposed to people who just like talking about their favourite music. I mean, how often do such people ever actually listen their My Bloody Valentine albums?

Anyway, in today's climate, it's bands like Travis who are cleaning up, despite peddling inferior material to the Webb Brothers.

But this is nothing to be down about. Instead, take pleasure in the fact that you can whizz along in your motor with "In a Fashion" crashing out of your stereo, whilst passers-by can only scratch their heads and wonder: "Who the f%$k is that? Is sounds BLOODY GREAT!".

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5 of 5 people found the following review helpful
Format:Audio CD
It was the middle of September and music lovers across the UK were becoming alarmingly agitated. The summer of festivals with all their promise was little more than a distant memory while the only notable release on the horizon was Radiohead's Kid A, still weeks away and surrounded in sure to disappoint secrecy. Then from the shadows came The Webb Brothers, bursting onto the scene with their first album proper. The Music journalists went mental with everyone from the NME to the Times hailing this LP a Masterpiece. "More perfect than a debut has a right to be", declared The Guardian while Melody Maker, keeping their feet on the ground, called Maroon "A beautiful demonstration of how to write a sparkling, touching tune. It makes you feel uncomfortably, wonderfully, human again".

Not wishing to appear out of touch, I thought I'd inspect the hype and give Maroon the once over myself.

Trying to sum up this record is hopeless; the strange mixture of despondency and disaffection in the lyrics coupled with wayward, sometimes pop-like harmonies is an uneasy union. Yet Maroon, unsettling as it is, remains addictively compelling. Opening tune, The Liars Club, about false happiness and bogus social codes, demonstrates the album's contradictory themes with its seemingly inappropriate catchy melody. While Fluorescent Lights is full of grand orchestration, talk of failed social events and endured unattractiveness. On the other hand Are You Happy Now? Features the repeated lyric "Happy, happy all smiles", and still manages to be the most downhearted track on the album. What exactly is going on!!?? Who knows? Who cares? What matters is that Maroon is a brilliantly unique record, the sort that gets played when all you want to do is cry, yet come track 13 you'll find yourself brimming with excitement and wearing a great big grin.

This is a really great record, never completely understood yet bizarrely simplistic and instantly appealing, you'll never grow tired of this one.

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1 of 1 people found the following review helpful
Format:Audio CD
It took me a while to 'get' this album, maybe I was just busy or didn't have the time to listen to it properly. A few months after buying it I randomly put it on again and was hooked straight away (2nd time around!).
It's atmospheric, catchy and best of all the lyrics hold up. If you like bands like Jellyfish, Built To Spill, Grandaddy and so on, give it a go. I really can't see too many people feeling that they will have wasted their money if they buy this album. Unless you're into nu-metal. But then that's your problem isn't it?
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