- Actors: Elizabeth Taylor, Marlon Brando, George C. Scott, Trevor Howard, Glenn Ford
- Directors: Carol Reed, Daniel Mann, John G. Avildsen, John Huston, Joseph L. Mankiewicz
- Writers: Ben Hecht, Borden Chase
- Format: NTSC
- Language English
- Subtitles: English, Spanish, French
- Region: All Regions
- Aspect Ratio: 16:9 - 1.66:1
- Number of discs: 6
- Classification: Unrated (US MPAA rating. See details.)
- Studio: Warner Home Video
- DVD Release Date: 7 Nov 2006
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- ASIN: B000HWZ4ES
- Amazon Bestsellers Rank: 40,540 in Film & TV (See Top 100 in Film & TV)
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Customer Reviews
Most Helpful Customer Reviews
5 of 5 people found the following review helpful
Format:DVD|Amazon Verified Purchase
All movies are great classic movies, almost every where is French tone and subtites, not only English. All movies are digitally remastered, cover for all 5 looks very impreccive. It's a feeling of having a real thing, not something in about. It's noce that people care to produce older movies on DVDs and as a collection ir was very cheap to get it posted even to Germany from US. I am happy. Every thing's great.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
16 reviews
21 of 23 people found the following review helpful
Reflections in a golden eye is golden again
18 Nov 2006
Format:DVD
Yes,the disk of relections in a golden eye is indeed in the original golden colored treatment as intended by director John Huston.Restored by Warner Bros you can now see this great film in the version intended by its creator.A unique experience.Forty years ahead of its time.A must for film collectors and admirers of Huston as a director.The color treatment adds immeasurably to the power of the narrative and lends a hypnotic and dreamlike edge to this disturbing and provocative film.Get it.Hard to believe the packaging does not mention the gold in this collection.
Joel Bender
Joel Bender
27 of 31 people found the following review helpful
A Special Talent
6 Nov 2006
Format:DVD
It isn't merely his brilliant acting and physical beauty, but that extra quality people in show business call "stage presence." Only 2 of these titles (JULIUS CAESAR and TEAHOUSE) are among the very best of his 38 major films, but all 5 are ample proof--if proof is needed--that Marlon Brando is one of our most enduring stars.
JULIUS CAESAR: Shakespeare gets the fancy Hollywood treatment, with a young Brando heading an impressive cast, and he more than holds his own with the likes of James Mason, John Gielgud, and Deborah Kerr. His Marc Antony is a fascinating interpretation.
THE TEAHOUSE OF THE AUGUST MOON: In this film of John Patrick's Pulitzer Prize-winning play, Brando is the sly Japanese(!) interpreter for a group of Americans in postwar Okinawa. He wouldn't be cast in the part today (they'd find an appropriate Asian actor), but it remains one of his best comic performances.
MUTINY ON THE BOUNTY: A solid remake of the classic, not as good as the original and way too long, but worth a look for Brando's complex portrait of Fletcher Christian. And the cinematography is stunning.
REFLECTIONS IN A GOLDEN EYE: Perhaps his most offbeat role, as a repressed homosexual Army officer who prefers (nude) Robert Forster to (nude) Elizabeth Taylor. John Huston's film of Carson McCullers's novel is certainly--umm--naked, a kinky but interesting oddity.
THE FORMULA: Brando only has a couple of scenes in this film version of Steve Shagan's bestselling thriller (George C. Scott and Marthe Keller are the actual leads), but it's awesome to watch him and Scott locking horns. Nobody could play a charming villain as well as Brando (see THE GODFATHER), and the subject of this film (the formula of the title) is surprisingly timely.
So, you decide which are your favorite Brando films, but these 5 are all interesting examples of his work.
JULIUS CAESAR: Shakespeare gets the fancy Hollywood treatment, with a young Brando heading an impressive cast, and he more than holds his own with the likes of James Mason, John Gielgud, and Deborah Kerr. His Marc Antony is a fascinating interpretation.
THE TEAHOUSE OF THE AUGUST MOON: In this film of John Patrick's Pulitzer Prize-winning play, Brando is the sly Japanese(!) interpreter for a group of Americans in postwar Okinawa. He wouldn't be cast in the part today (they'd find an appropriate Asian actor), but it remains one of his best comic performances.
MUTINY ON THE BOUNTY: A solid remake of the classic, not as good as the original and way too long, but worth a look for Brando's complex portrait of Fletcher Christian. And the cinematography is stunning.
REFLECTIONS IN A GOLDEN EYE: Perhaps his most offbeat role, as a repressed homosexual Army officer who prefers (nude) Robert Forster to (nude) Elizabeth Taylor. John Huston's film of Carson McCullers's novel is certainly--umm--naked, a kinky but interesting oddity.
THE FORMULA: Brando only has a couple of scenes in this film version of Steve Shagan's bestselling thriller (George C. Scott and Marthe Keller are the actual leads), but it's awesome to watch him and Scott locking horns. Nobody could play a charming villain as well as Brando (see THE GODFATHER), and the subject of this film (the formula of the title) is surprisingly timely.
So, you decide which are your favorite Brando films, but these 5 are all interesting examples of his work.
4 of 4 people found the following review helpful
Admirable in many ways, beautifully staged and photographed and splendidly acted...
12 Jan 2009
Format:DVD
The time is late 1948 and the setting is a U.S. Army post in Georgia, bordering on a forest preserve...
A Southern amoral wife called Leonora (Elizabeth Taylor) finds a way for her stream desire in an adulterous affair with Lt. Col. Langdon (Brian Keith), carried on almost openly...
Leonora gives aperture to her forcefulness and vigor in a passion for horses and riding... She is attached to a handsome white horse she calls Firebird and she provokes her husband by telling him that the animal is indeed a stallion with the emotional nature of man...
Leonora's husband (Marlon Brando) is a devious, insecure, impotent Army major, a hidden homosexual preoccupied with an unsociable, lonely rider who canters around the field in the nude and whose sexual emotional stress is diminished, secretively, at the bedside of the major's wife holding her clothes and looking fixedly at her marvelous hot body...
Private Williams (Robert Forster) is another lonely man fascinated by the fiery Leonora and her thoughtful and gentle comments to him... He takes to visiting the Penderton house at night looking attentively in the windows, observing with total recall and complete joy Leonora's nakedness, but also watching the Major in his study...
Keith's neurotic wife (Julie Harris) is well aware of her husband's affair with Leonora but she only feels well from her close friendship with her houseboy, Anacleto (Zorro David), an affected companion who shares her penchant for the arts and is in every way the opposite of her abrupt, strong husband...
Flavored with bitter insinuations and insulting sarcasms, Brando and Taylor's few scenes have enough flames to burn the silver screen... He's a tormented human being while she's delicious but shrill and insensitive... Aware of her physical beauty she fights back when she's rejected, instigating him with her impudent, insolent, shameless manner that offend his very being...
A Southern amoral wife called Leonora (Elizabeth Taylor) finds a way for her stream desire in an adulterous affair with Lt. Col. Langdon (Brian Keith), carried on almost openly...
Leonora gives aperture to her forcefulness and vigor in a passion for horses and riding... She is attached to a handsome white horse she calls Firebird and she provokes her husband by telling him that the animal is indeed a stallion with the emotional nature of man...
Leonora's husband (Marlon Brando) is a devious, insecure, impotent Army major, a hidden homosexual preoccupied with an unsociable, lonely rider who canters around the field in the nude and whose sexual emotional stress is diminished, secretively, at the bedside of the major's wife holding her clothes and looking fixedly at her marvelous hot body...
Private Williams (Robert Forster) is another lonely man fascinated by the fiery Leonora and her thoughtful and gentle comments to him... He takes to visiting the Penderton house at night looking attentively in the windows, observing with total recall and complete joy Leonora's nakedness, but also watching the Major in his study...
Keith's neurotic wife (Julie Harris) is well aware of her husband's affair with Leonora but she only feels well from her close friendship with her houseboy, Anacleto (Zorro David), an affected companion who shares her penchant for the arts and is in every way the opposite of her abrupt, strong husband...
Flavored with bitter insinuations and insulting sarcasms, Brando and Taylor's few scenes have enough flames to burn the silver screen... He's a tormented human being while she's delicious but shrill and insensitive... Aware of her physical beauty she fights back when she's rejected, instigating him with her impudent, insolent, shameless manner that offend his very being...
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