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Marlene Dietrich [Hardcover]

Marlene Dietrich
3.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

1 Mar 2003
Marlene Dietrich never threw away anything.

She kept her good-luck black rag doll (it appeared with her in The Blue Angel and followed her to dressing tables on every movie set). She kept the letters (every last one) she received from her lovers and her husband of fifty-three years. She kept every article of clothing made for her by the great French couturiers and the legendary Hollywood costume designers. She kept everything.

And she believed in storage. Six storage companies, from New York to California, London, and Paris, held pieces of Miss Dietrich’s life, locked away for decades like the pieces of the life of Charles Foster Kane. Over the years, hundreds of thousands of dollars were paid in rental fees. After Dietrich’s death, the articles were gathered together—twenty-five thousand objects and eighteen thousand images. Some were auctioned at Sotheby’s in Los Angeles. The major pieces of Dietrich’s vast collection were assembled in an archive and given to the FilmMuseum Berlin.

Now, her treasures are brought together in 289 photographs from her own collection, with extended captions by her daughter, Maria Riva.

We see Dietrich as a child, in velvet dress and golden ringlets...Dietrich as a young actress in Berlin...as the newly married Mrs. Rudolf Sieber, standing proudly with her husband. We see love letters and letters marking the ends of affairs. We see Dietrich in Hollywood...with Chaplin...with Fritz Lang...at the Paramount commissary...Dietrich captured in snapshots by her movie-creator, Josef von Sternberg...Dietrich as a mother.

We see her at war...in never-before-published photographs of a USO tour...in uniform (tailor-made for her, of course) disembarking from a transport plane...Dietrich with the 82nd Airborne...Dietrich rolling into Germany in
a U.S. tank.

Here she is with her directors and fellow actors: Katharine Hepburn, Claudette Colbert, Judy Garland, John Wayne, Ernst Lubitsch, Clark Gable, Cary Grant, Tyrone Power. Here are portraits of her by Cecil Beaton, Horst P. Horst, Milton Greene, John Engstead. And here is Marlene, shimmering, in Las Vegas, the consummate performer, and at the Palladium in London, triumphant!


Product details

  • Hardcover: 304 pages
  • Publisher: Random House USA Inc; 1 edition (1 Mar 2003)
  • Language: English
  • ISBN-10: 0375405348
  • ISBN-13: 978-0375405341
  • Product Dimensions: 26.4 x 26.2 x 2.8 cm
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 1,550,524 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews
5 of 5 people found the following review helpful
By A Customer
Format:Hardcover
a great visual resource aswell as a fascinating written account of the career and life of Marlene Dietrich. Some beautifaul photos well reproduced on a large scale. A great coffee table book, but with substance thats some times lacking. I fully recommend this to fans of Dietrich, that period in the movies, or fashion and costume- theres something of interest on all of those levels.
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3 of 4 people found the following review helpful
3.0 out of 5 stars She Saved It All! 3 July 2004
By Donald Mitchell HALL OF FAME TOP 500 REVIEWER VINE™ VOICE
Format:Hardcover
Caution: This volume contains some images that may offend some readers including one of Ms. Dietrich and her sister in the nude as children, Ms. Dietrich in a "see through" top, and another with Ms. Dietrich's skirt askew. None of these images are presented in a lascivious way.

Ms. Marlene Dietrich saved everything she ever came into contact with. While she was alive, her belongings were stored in six locations and many of them found their way to the FilmMuseum Berlin, which is the source for this book. As a result, the book contains many studio stills; snapshots taken by friends; images of costumes, dresses, and memorabilia; and many personal belongings. I have never seen an illustrated book about a movie star with more kinds of images than this book has. Ms. Dietrich's daughter, Ms. Maria Riva, wrote the captions for the photographs along with Mr. Werner Sudendorf.

But the book is primarily done to give you a flavor of Ms. Dietrich, both as a private person and as a movie star. Marlene Dietrich begins with a series of commentaries about what famous people had to say about her. Some of these have great historical significance such as Mr. Josef von Sternberg's description of how he came to cast her for The Blue Angel. Others focus on her persona and its impact on others (she was "Lorelei" to M. Jean Cocteau). Mr. John Engstead focuses on her physical side (how she fought to keep her weight off, and her patience with painful poses in take after take). Others describe what a kind person she was, in welcoming others and helping sick colleagues. I enjoyed these reminiscences very much.

The studio stills are fascinating for the intense efforts by Mr. von Sternberg to capture just the right "look" for Ms. Dietrich. The captions do a fine job of describing the errors that caused some images to be rejected.

If you are like me, you will be struck by how strong an image Ms. Dietrich presented, whether dressed in women's clothes or in men's. I ended up wondering how much of our changed views towards equality were helped along in the early days by much admired women like Ms. Dietrich who would appear attractively in nontraditional clothing.

The snapshots are especially interesting for showing Ms. Dietrich "roughing it" for the USO in North Africa and Europe during World War II.

My favorite photographs of Ms. Dietrich include:

Berlin, 1930, during the filming of The Blue Angel

1932 in Shanghai Express outfit

Pose she struck on her own during shooting for Life cover in 1950

Snapshot with Groucho Marx

Mother-daughter hula snapshot

Posing with daughter in Dior's "New Look"

Face with fur hat from The Scarlett Empress

Destry Rides Again shot with curly hair

If you are wondering why I used these descriptions, be aware that the photographic captions here do not follow the conventions of photography books.

The costume, clothing, and memorabilia sections are produced in brilliant color while the shots of Ms. Dietrich are all in duotone. The reproduction quality is high in all cases.

The end of the book includes lists of all her film, stage, and concert appearances, and her recordings. These will be very useful if this book piques your interest about her career. I, for one, hope to see many more of her films after having read the book.

I had always been curious about the derivation of the name, Marlene, and was fascinated to learn that it is a contraction of "Maria Magdalene."

What will people say about you when you are no longer with us? What story will your photographs tell? How will your work reveal you? What will your possessions express to coming generations? Who should be your biographer?

Live each day as though it will be documented forever!

Comment | 
Was this review helpful to you?
1 of 2 people found the following review helpful
3.0 out of 5 stars She Saved It All! 29 Jun 2004
By Donald Mitchell HALL OF FAME TOP 500 REVIEWER VINE™ VOICE
Format:Hardcover
Caution: This volume contains some images that may offend some readers including one of Ms. Dietrich and her sister in the nude as children, Ms. Dietrich in a "see through" top, and another with Ms. Dietrich's skirt askew. None of these images are presented in a lascivious way.

Ms. Marlene Dietrich saved everything she ever came into contact with. While she was alive, her belongings were stored in six locations and many of them found their way to the FilmMuseum Berlin, which is the source for this book. As a result, the book contains many studio stills; snapshots taken by friends; images of costumes, dresses, and memorabilia; and many personal belongings. I have never seen an illustrated book about a movie star with more kinds of images than this book has. Ms. Dietrich's daughter, Ms. Maria Riva, wrote the captions for the photographs along with Mr. Werner Sudendorf.

But the book is primarily done to give you a flavor of Ms. Dietrich, both as a private person and as a movie star. Marlene Dietrich begins with a series of commentaries about what famous people had to say about her. Some of these have great historical significance such as Mr. Josef von Sternberg's description of how he came to cast her for The Blue Angel. Others focus on her persona and its impact on others (she was "Lorelei" to M. Jean Cocteau). Mr. John Engstead focuses on her physical side (how she fought to keep her weight off, and her patience with painful poses in take after take). Others describe what a kind person she was, in welcoming others and helping sick colleagues. I enjoyed these reminiscences very much.

The studio stills are fascinating for the intense efforts by Mr. von Sternberg to capture just the right "look" for Ms. Dietrich. The captions do a fine job of describing the errors that caused some images to be rejected.

If you are like me, you will be struck by how strong an image Ms. Dietrich presented, whether dressed in women's clothes or in men's. I ended up wondering how much of our changed views towards equality were helped along in the early days by much admired women like Ms. Dietrich who would appear attractively in nontraditional clothing.

The snapshots are especially interesting for showing Ms. Dietrich "roughing it" for the USO in North Africa and Europe during World War II.

My favorite photographs of Ms. Dietrich include:

Berlin, 1930, during the filming of The Blue Angel

1932 in Shanghai Express outfit

Pose she struck on her own during shooting for Life cover in 1950

Snapshot with Groucho Marx

Mother-daughter hula snapshot

Posing with daughter in Dior's "New Look"

Face with fur hat from The Scarlett Empress

Destry Rides Again shot with curly hair

If you are wondering why I used these descriptions, be aware that the photographic captions here do not follow the conventions of photography books.

The costume, clothing, and memorabilia sections are produced in brilliant color while the shots of Ms. Dietrich are all in duotone. The reproduction quality is high in all cases.

The end of the book includes lists of all her film, stage, and concert appearances, and her recordings. These will be very useful if this book piques your interest about her career. I, for one, hope to see many more of her films after having read the book.

I had always been curious about the derivation of the name, Marlene, and was fascinated to learn that it is a contraction of "Maria Magdalene."

What will people say about you when you are no longer with us? What story will your photographs tell? How will your work reveal you? What will your possessions express to coming generations? Who should be your biographer?

Live each day as though it will be documented forever!

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