I remember looking at my mother's Vogue magazines & seeing a beautiful model that I was later to know was named Marisa Berenson. Ms. Berenson truly defined an era, the boomers at the height of flower power & the apotheosis of post-modern. So I was delighted when I saw this book & couldn't wait to get it. Being weaned on my mom's fashion magazines, the 60's and early '70s fashion images are indelibly branded in my memory. Unfortunately, I am not sure how to make sense of the book; it just doesn't hang together. The full page photos by the iconic photographers, Penn, Scavullo, de Rosnay, Aarons, Horst, etc. are unquestionably stunning, but there are questionable editorial choices that I would not have expected of Rizzoli, which really takes away from the book. Either Ms. Berenson was ill advised, or the editors rushed to print? To wit: Some photos are obviously reproductions of photos; not produced by negatives. The result is that the images are grainy, and image quality not what I would expect of a fine publisher. Some photos have been enlarged when they were never meant to support an image 5x the original, and sadly suffer distortion. Only the first few full photo pages/last few photo pages of the book have dates of when photos were taken. The inside of the book is characterized by pages of photos, some full page and others punctuated by mish-mash collages of thumbnail photos showing Ms. Berenson with people who she hobbed nobbed with - some famous, some, well who cares, there are so many thumbnail images. It sort of has the feel of a high school yearbook. Each thumbnail photo is numbered & individuals identified by name on a side bar of the page. Some numbers don't match, some individuals are misnamed, some are named but are not in the picture! (E.g., one photo just has the arm of the person named - I know it's a thumbnail photo, but someone at Rizzoli was scissor-happy.) Just two editorial narratives, one with Diane von Furstenberg, revealing how they met & how they went skiing. Chronology? Commentaries on fashion in the never-to-be repeated heady days of the haute couture? Experiences working Harper's & Vogue as the "It" model? Interesting insights to being the first and perhaps only uber supermodel (pedigree + supermodel)of the 20th century? Any captions to accompany those great fashion photos? Why is the photo that launched a thousand jet-set-wannabes to Sardinia - I am talking about the Slim Aarons photo of purple-turbaned Marisa Berenson living la dolce vita beachside - blown up to full page & out of focus; the ink separation of the book blurring in the process? There are late 60s, 70s photos mixed in with later and probably more recent photos of Marisa Berenson -- are we to be given the impression that the beautiful Marisa "then", looks the same as the beautiful Marisa "now"? (Shades of Dorian Gray.) This book would have been fasincinating if there was a narrative or anecdotes (in first or third person) of Marisa Berenson's journey through an incredible life and her fashion insights, in addition to the gorgeous looks, beautiful people, clothes & places. As it is, it's not a "life" in pictures (no chronology, not commentary), and it's not fashion history (no captions, no dates!). I think Marisa Berenson deserves a better book!