The year is 1878. Fourteen-year-old Marie van Goethem has dreamed of nothing but becoming a sujet in the Paris Opera since she first joined the company years ago. And now, at the age of 14-years-old, Marie feels that she has the potential to do just that. However, just as she is basking in the glow of feeling light on her feet, she is picked out of her class by none other than prized Parisian painter, Edward Degas. Degas is a regular fixture in Marie's dance classes. Always sketching the dancers in various positions, from pointe to simply lacing their slippers, or adjusting their tutus. But Degas has other plans for Marie. For, as soon as she accompanies him to his studio, she learns that Degas plans on using Marie as the model for his one, and only, sculpture, entitled Petite danseuse de quatorze ans (Little Dancer Aged Fourteen). Marie is only too happy to comply with Monsieur Degas's wishes, for her family has struck poverty since her father passed away, and she could use the money to provide food for her younger sister, Charlotte. Money that her mother drinks away, and her older sister, Antoinette, spends on frivolous items, such as fancy stockings. However, as the years pass, and Marie is no longer summoned by Monsieur Degas, she realizes that she needs to find another way to make some extra money, in an attempt to follow her deceased father's wishes, and provide for her beloved family. And, at both her mother's, and Antoinette's request (and demands), Marie begins following the same path Antoinette has paved for her, attending the foyer de la danse. But when Marie's conscience rebels against what is expected of her at foyer de la danse, and Antoinette stumbles into a bout of trouble, Marie decides to change her path in life, in an attempt to create the home she always wanted for her younger sister; and hold her oft-times troubled family together.
I did a report about Degas's Little Dancer Aged Fourteen earlier this year for an art class. Therefore, when I came across it at Barnes & Noble, and received a recommendation from Carolyn Meyer herself regarding MARIE, DANCING, I couldn't pass it up. As someone who has adored ballet since the time I could walk, I found MARIE, DANCING to be an original, awe-inspiring addition to the historical fiction world. One that would intrigue even those who don't hold an interest in ballet. While MARIE, DANCING gives random facts about the illustrious sculpture created by Degas, it surrounds itself more around Marie's troubled, poverty-stricken life, and the struggles she must endure in an attempt to keep both her own head, and that of her siblings and mother, above water. Through Marie's eyes, readers are taken on a journey through five-years of Marie's life. From her time dancing at the Paris Opera, to her modeling job with Degas', and the unveiling of Little Dancer Aged Fourteen, all the way through her troubles with her family, and Antoinette's rebellion. MARIE, DANCING brings about the not-so-glitzy Parisian life that many suffered through in the late 1800's, showing readers the ups and downs of the dancing world, and the sacrifices those who were unfortunate enough to be poverty-stricken faced on a daily basis. A mesmerizing piece of fiction that makes the reader feel as if they are flying through the air, alongside Marie, performing flawless cabrioles!
Erika Sorocco
Freelance Reviewer