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It is a biting aggressive work: 'Was not the world a vast prison and women born slaves?'. 'Women, the out-laws of the world'. 'Born a woman - and born to suffer ... I feel more acutely the various ills my sex are fated to bear. I feel that the evils they are subject to endure, degrade them so far below their oppressors, as almost to justify their tyranny.'
One of the author's targets is marriage, 'matrimonial despotism of heart and conduct'.
'But a wife being as much a man's property as his horse, or his ass, she has nothing she can call her own.'
Marriage laws are absurd 'leading to the most insufferable bondage and to a false morality ... which makes that all the virtue of woman consist in chastity, submission, and the forgiveness of injuries'.
Another scandal for the author is 'the enslaved state of the labouring majority ... condemned to labour, like a machine, only to earn bread, and scarcely that'; and 'the evils which arise in society from the despotism of rank and riches.'
This hard hitting story is an outcry for greater freedom (also sexual) for women and for social justice.
It didn't loose its important message and is still very actual in a major part of the world.
Highly recommended.
The novel reads like a philosophical treatise, the main action being life stories told by the primary characters, Maria, her mad-house warden Jemima, and her unlikely lover, Henry Darnford, including their digressive running commentaries. As the novel begins, Maria is in the mad-house, deprived of her infant daughter by her greedy husband, George Venables, whom she despises.
As in Godwin's "Caleb Williams," Wollstonecraft does not scruple to pile severe mental anguish upon clear injustices to drive home her points regarding society's treatment of women. Her most vicious attacks are reserved for the law and surprisingly, for women. The law preserves a basis for treating women as perpetual minors, and unfortunately, women, realizing their powerlessness, too often resign themselves to their lot.
Though fragmentary and incomplete, "Maria" has the same kind of power as "Caleb Williams," and the two should be read together for maximum effect. The force of Wollstonecraft's writing comes from the fact that her observations were just, and that she dared to voice them on behalf of all women.
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